DAMNED

This trilogy’s second act (Crusade, 2010) delivers less romance and more violence, but neither plot nor characters develop much.

Vampires have achieved world domination, but despite high-profile mass murder (the story opens with the running of the humans in Pamplona), little notice is taken. While life (contemporary consumer culture) goes on “under the fang,” pockets of resistance survive, including the Salamanca-based team of jet-setting first responders now led by American Jenn, mentored by mysterious Father Juan and supplemented by an Israeli and a Palestinian (united against the vampire threat). From Spain, their dismal itinerary takes them to rural Russia, Montana’s dustier corners and Las Vegas, somewhat improved by undead takeover. The derivative plot drinks deep from the Buffy gene pool; clichéd cultural labels serve as characterization. Long orgies of killing are interspersed with chaste, romantic interludes garnished by unrequited love—lust is strictly of the blood variety. Weapons range from high tech (Uzis) to old-fashioned (wooden stakes, teeth and fangs). The novel achieves life only in scenes of detailed violence, vivid, breathless descriptions of pain and death. Characters ostensibly serve some vaguely spiritual higher good, but as the body count mounts, the ecumenical blather proves to be a fig leaf covering a near-pornographic celebration of all the ways we kill. (Horror. 14 & up)

 

Pub Date: Aug. 30, 2011

ISBN: 978-1-4169-9804-4

Page Count: 544

Publisher: Simon Pulse/Simon & Schuster

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s.

GRIS GRIMLY'S FRANKENSTEIN

A slightly abridged graphic version of the classic that will drive off all but the artist’s most inveterate fans.

Admirers of the original should be warned away by veteran horror artist Bernie Wrightson’s introductory comments about Grimly’s “wonderfully sly stylization” and the “twinkle” in his artistic eye. Most general readers will founder on the ensuing floods of tiny faux handwritten script that fill the opening 10 pages of stage-setting correspondence (other lengthy letters throughout are presented in similarly hard-to-read typefaces). The few who reach Victor Frankenstein’s narrative will find it—lightly pruned and, in places, translated into sequences of largely wordless panels—in blocks of varied length interspersed amid sheaves of cramped illustrations with, overall, a sickly, greenish-yellow cast. The latter feature spidery, often skeletal figures that barrel over rough landscapes in rococo, steampunk-style vehicles when not assuming melodramatic poses. Though the rarely seen monster is a properly hard-to-resolve jumble of massive rage and lank hair, Dr. Frankenstein looks like a decayed Lyle Lovett with high cheekbones and an errant, outsized quiff. His doomed bride, Elizabeth, sports a white lock à la Elsa Lanchester, and decorative grotesqueries range from arrangements of bones and skull-faced flowers to bunnies and clownish caricatures.

Grimly plainly worked hard, but, as the title indicates, the result serves his own artistic vision more than Mary Shelley’s. (Graphic classic. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-06-186297-7

Page Count: 208

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: July 3, 2013

Kirkus Reviews Issue: July 15, 2013

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Cracking page-turner with a multiethnic band of misfits with differing sexual orientations who satisfyingly, believably jell...

SIX OF CROWS

Adolescent criminals seek the haul of a lifetime in a fantasyland at the beginning of its industrial age.

The dangerous city of Ketterdam is governed by the Merchant Council, but in reality, large sectors of the city are given over to gangs who run the gambling dens and brothels. The underworld's rising star is 17-year-old Kaz Brekker, known as Dirtyhands for his brutal amorality. Kaz walks with chronic pain from an old injury, but that doesn't stop him from utterly destroying any rivals. When a councilman offers him an unimaginable reward to rescue a kidnapped foreign chemist—30 million kruge!—Kaz knows just the team he needs to assemble. There's Inej, an itinerant acrobat captured by slavers and sold to a brothel, now a spy for Kaz; the Grisha Nina, with the magical ability to calm and heal; Matthias the zealot, hunter of Grishas and caught in a hopeless spiral of love and vengeance with Nina; Wylan, the privileged boy with an engineer's skills; and Jesper, a sharpshooter who keeps flirting with Wylan. Bardugo broadens the universe she created in the Grisha Trilogy, sending her protagonists around countries that resemble post-Renaissance northern Europe, where technology develops in concert with the magic that's both coveted and despised. It’s a highly successful venture, leaving enough open questions to cause readers to eagerly await Volume 2.

Cracking page-turner with a multiethnic band of misfits with differing sexual orientations who satisfyingly, believably jell into a family . (Fantasy. 14 & up)

Pub Date: Sept. 29, 2015

ISBN: 978-1-62779-212-7

Page Count: 480

Publisher: Henry Holt

Review Posted Online: June 29, 2015

Kirkus Reviews Issue: July 15, 2015

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