Huston provides readers with more than a mere snapshot; her raw and sensual writing delivers the complete picture.
A woman explores complex family relationships and discovers truths about herself in this sensual, intricately woven offering from award-winning Huston (Fault Lines, 2008, etc.).
As freelance photographer Rena Greenblatt joins her aging father and abrasive stepmother in Italy for a dreaded week of vacation, the experience evolves into a period of self-reflection about her childhood, relationships, sensuality and self. Rena, a sexually uninhibited free spirit in her mid-40s, has had numerous lovers and husbands. Her chosen profession involves the use of infrared photography that allows her to “see” into the souls of her subjects during their most intimate moments. She is oddly reluctant to use her camera to document her trip and perhaps expose too many truths, but as she spends more time with her father and stepmother, slowly she peels away the complicated layers that encompass the intricate familial relationships that exist. Rena’s imaginary sister and voice in her head, Subra—the backward spelling of deceased photographer Diane Arbus—poses probing questions that prompt revelations about Rena’s background and her family: a once jealous and abusive older brother whom Rena loves, a mother who loved her but was always busy with her disadvantaged clients, and a philandering father, a doctoral candidate who once patterned himself after activist Timothy Leary and dropped acid with his daughter. As the week advances, Rena receives increasingly frantic phone calls from her French-born Algerian lover, who implores her to return to their home in France to document the race riots that are consuming the suburbs of Paris. But Rena, unwilling to affect an early departure, ignores his pleas as she faces the pivotal events of her past and reconciles these with the emotional reality of the present.
Huston provides readers with more than a mere snapshot; her raw and sensual writing delivers the complete picture.Pub Date: July 3, 2012
ISBN: 978-0-8021-2027-4
Page Count: 272
Publisher: Black Cat/Grove
Review Posted Online: June 30, 2012
Kirkus Reviews Issue: July 15, 2012
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
