by Nancy Loewen & Linda Hayen ; illustrated by Yana Zybina ‧ RELEASE DATE: March 1, 2021
A well-illustrated work with a wonderful moral about finding joy in accepting others.
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A youngster founds a club that aims to include everyone in Loewen and Hayen’s picture book.
An unnamed girl invites some friends (and the reader) to join her Everybody Club. She gives them all a simple badge and encourages them to invite others. “Tell them all: / You’re a member. / It’s official. / The Everybody Club is beneficial!” There are images of a boy using a motorized wheelchair, several girls wearing headscarves, and another boy wearing a kufi cap. Multiple same-sex couples are shown, some with their kids. (The narrator is depicted as White, and other characters have a variety of skin tones.) The group gathers to build a float, which they enter in a parade. Finally, everyone in town joins the procession in a spread showcasing Zybina’s soft, warm, and appealing pastel illustrations. The story, based on a real club started by Hayen’s late daughter, presents rhymes that are simple, engaging, and fun—“A parade of everybodies! / A jolly jamboree! / The Everybody Club / turns THEY to WE”—and the overall message of how great it feels to be inclusive is sweet without ever feeling cloying.
A well-illustrated work with a wonderful moral about finding joy in accepting others.Pub Date: March 1, 2021
ISBN: 978-1-73652-870-9
Page Count: 28
Publisher: Self
Review Posted Online: July 1, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Review Program: Kirkus Indie
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by Alice Walstead ; illustrated by Andy Elkerton ‧ RELEASE DATE: Aug. 2, 2022
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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