by Nancy Richardson Fischer ‧ RELEASE DATE: Nov. 20, 2011
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The first book in a trilogy about Pandora’s Box in the modern world and how Pandora’s descendent holds the key but is only just beginning to understand her power.
On the morning of her 16th birthday, Evangeline Theopolis’ mother places an ancient key on a chain around her neck. It’s a family heirloom, though her mother has no idea what the key unlocks. Later, Evangeline returns home from school to find her mother has collapsed and, at the hospital, Evangeline is forced to admit that her mom has been suffering delusions. The doctors reveal the reason is a terrible brain tumor. Running parallel to this story in alternating chapters is Malledy’s story, a young man who is also diagnosed with a fatal disease. Malledy is an archivist determined to find ancient artifacts of great power, including Pandora’s Box, which he believes may contain his cure. Evangeline soon finds out that she is the descendent of Pandora when she is kidnapped by a sect of women devoted to protecting Pandora’s Box. Her newly bequeathed key unlocks the actual Pandora’s Box from Greek mythology, which still contains a fifth Fury of Annihilation. As Pandora’s descendent, Evangeline also has powers originally bestowed by the other Greek gods. Her world collides with Malledy’s once he becomes determined to use her to become godlike himself. Fischer’s fast pacing and numerous plot twists are sure to keep the reader turning the pages to find out not only if Malledy will succeed, but if Evangeline will succumb to her curiosity about the box. Though the prose can sometimes be clunky, Fischer’s characters are well fleshed-out and sympathetic, and some have hidden alliances that serve to make Evangeline’s plight seem all the more realistic. With this fresh, intriguing novel, Fischer is clearly laying the groundwork for a trilogy that will successfully continue to bring ancient mythology forward into a modern tale of self discovery. With vivid imagery, compelling characters and plenty bursts of action, this first novel weaving mythology and contemporary teenage troubles is thrillingly memorable.
Pub Date: Nov. 20, 2011
ISBN: 978-1467966535
Page Count: 292
Publisher: CreateSpace
Review Posted Online: Jan. 11, 2012
Kirkus Reviews Issue: Feb. 1, 2012
Review Program: Kirkus Indie
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by Michael Dahl ; illustrated by Ethen Beavers ‧ RELEASE DATE: Aug. 1, 2016
This should send Dark Knight fans flying to the Batcave—or the bedroom.
Holy bedtime, Batman!
In a sleepy-looking neighborhood under a dusky cerulean sky, a young, brown-haired, white boy goes through the motions of getting ready for bed: he brushes his teeth, takes a bath, picks up his toys, and feeds his fish. In a parallel visual narrative, beckoned by the cat's-eye–yellow bat-signal, Batman keeps Gotham safe for another night by catching crooks, locking them away, and avenging those who have been wronged. Though the two characters are quite different, through a carefully flexible narrative, Dahl and Beavers weave a convincing tale of just how similar they might be. “It’s time to take care of business” describes the child’s trip to the potty and Batman’s dive down a manhole equally well, for instance. Beavers' art is visually striking and vibrantly hued, perfect for keeping young eyes glued to each page. Dahl's economical text is cadenced with a gentle lilt, just right for a bedtime read-aloud. Young fans of the caped crusader will delight in spying their favorite characters. In the already-overstuffed bedtime-book market, this is certainly a niche read, but it hits its mark well, delivering fun without darkness. A “bedtime checklist” at the end aptly includes “story time.”
This should send Dark Knight fans flying to the Batcave—or the bedroom. (Picture book. 3-8)Pub Date: Aug. 1, 2016
ISBN: 978-1-62370-732-3
Page Count: 32
Publisher: Capstone Young Readers
Review Posted Online: May 13, 2016
Kirkus Reviews Issue: June 1, 2016
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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