A piercing course in sensitivity training to build a moral community upon re-entry into society. For a similar but more...




Sherman (Philosophy/Georgetown Univ.; The Untold War: Inside the Hearts, Minds, and Souls of Our Soldiers, 2010, etc.) describes the many and varied struggles for inner pace after returning from war.

The author speaks to readers of those veterans with trouble reintegrating with civilian life upon return from the war front and our moral responsibility to bring some measure of understanding and engagement to them. She examines topics that are uncomfortable but undeniable—e.g., “feelings of alienation and disengagement,” “resentment or disappointment or visual dislocation,” and “profound moral dislocation and a consequent slipping of connectedness with family.” Sherman brings into the light the hellish experiences of both men and women in theaters of war, experiences that do not dissipate after leaving. She grasps and presents these vignettes via philosophy and psychology. She calls on a host of thinkers for guidance, including David Hume, Aristotle and Immanuel Kant, noting how “ancient stories, like that of Philoctetes, are our own stories through which to understand betrayal and the possibilities for trust’s renewal.” Sherman offers insightful emotional inquiries into the loss or turning from identity, the loss of dignity, the shame on top of guilt, gender betrayals, the what-ifs and could-haves, shadow feelings, and the overwhelming senses of sadness and futility. The twists and turns into a soldier’s post-traumatic renewal are complicated but essential to follow—e.g., the attachment involved in double transference, in which a familial relationship is mirrored in a professional one and where self-esteem leaks in via “a reciprocal positive moral address of trust and hope.” Readers will learn about the years veterans devote to therapeutic self-empathy and the rekindling of trust, and Sherman successfully invokes sympathy for their causes—even if the language is occasionally academic in nature.

A piercing course in sensitivity training to build a moral community upon re-entry into society. For a similar but more character-driven tale, see Helen Thorpe’s Soldier Girls (2014).

Pub Date: May 1, 2015

ISBN: 978-0-19-932527-6

Page Count: 188

Publisher: Oxford Univ.

Review Posted Online: Jan. 15, 2015

Kirkus Reviews Issue: Feb. 1, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.


The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The book would have benefited from a tighter structure, but it’s inspiring and relatable for readers with depression.


The creator and host of the titular podcast recounts his lifelong struggles with depression.

With the increasing success of his podcast, Moe, a longtime radio personality and author whose books include The Deleted E-Mails of Hillary Clinton: A Parody (2015), was encouraged to open up further about his own battles with depression and delve deeper into characteristics of the disease itself. Moe writes about how he has struggled with depression throughout his life, and he recounts similar experiences from the various people he has interviewed in the past, many of whom are high-profile entertainers and writers—e.g. Dick Cavett and Andy Richter, novelist John Green. The narrative unfolds in a fairly linear fashion, and the author relates his family’s long history with depression and substance abuse. His father was an alcoholic, and one of his brothers was a drug addict. Moe tracks how he came to recognize his own signs of depression while in middle school, as he experienced the travails of OCD and social anxiety. These early chapters alternate with brief thematic “According to THWoD” sections that expand on his experiences, providing relevant anecdotal stories from some of his podcast guests. In this early section of the book, the author sometimes rambles. Though his experiences as an adolescent are accessible, he provides too many long examples, overstating his message, and some of the humor feels forced. What may sound naturally breezy in his podcast interviews doesn’t always strike the same note on the written page. The narrative gains considerable momentum when Moe shifts into his adult years and the challenges of balancing family and career while also confronting the devastating loss of his brother from suicide. As he grieved, he writes, his depression caused him to experience “a salad of regret, anger, confusion, and horror.” Here, the author focuses more attention on the origins and evolution of his series, stories that prove compelling as well.

The book would have benefited from a tighter structure, but it’s inspiring and relatable for readers with depression.

Pub Date: May 5, 2020

ISBN: 978-1-250-20928-3

Page Count: 304

Publisher: St. Martin's

Review Posted Online: Feb. 5, 2020

Kirkus Reviews Issue: March 1, 2020

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