A fun and eminently useful literary treasure map.

GOING SHORT

AN INVITATION TO FLASH FICTION

University of Colorado, Boulder, lecturer Stohlman offers tutelage on creating, revising, and collecting the shortest of short stories in this craft book.

This book begins by defining the genre, differentiating “flash”—stories under 1,000 words in length—from prose poetry and emphasizing the strength of brevity: “sometimes the more you know about something, the less you like it.” Stohlman shares important tips from the outset, urging readers to focus on brief portions of larger narratives—to “ ‘drop’ us into that little slice of story.” From there, she describes how to imply events, write strong dialogue, and work with word constraints and prompts (and around clichés). Importantly, she spends a lot of time debunking myths about flash, including false notions that shorter stories are easier to write than long ones and that when you submit a story for publication, an editor wants you to fail. It’s not about pleasing an editor, she writes: “It’s about making the story happy.” Toward the book’s end, the author describes how the literary landscape is shifting more toward flash and then closes with a promising list of 100 prompts. Stohlman relates her work in short, vignettelike chapters, mirroring her content through form and crisply driving her points home (“Discover what you don’t need to say”). In a book full of excellent tips, the section on collecting flash fiction into book form is particularly beneficial; she advocates relishing the organization process and embracing “accidents” in one’s work, because if one knows too much about what one is writing, she says, “it gets boring.” As she argues, “flash fiction has an almost desperate need to tell a story before it’s too late.” Overall, this is a fast-paced and memorable work.

A fun and eminently useful literary treasure map. (appendix, acknowledgements, author bio)

Pub Date: Oct. 15, 2020

ISBN: 978-1-912095-79-7

Page Count: 114

Publisher: Ad Hoc Fiction

Review Posted Online: Oct. 14, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

No Comments Yet

A conversational, pleasurable look into McConaughey’s life and thought.

Reader Votes

  • Readers Vote
  • 22

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

GREENLIGHTS

All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

Did you like this book?

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Reader Votes

  • Readers Vote
  • 25

Our Verdict

  • Our Verdict
  • GET IT

  • New York Times Bestseller

  • IndieBound Bestseller

UNTAMED

More life reflections from the bestselling author on themes of societal captivity and the catharsis of personal freedom.

In her third book, Doyle (Love Warrior, 2016, etc.) begins with a life-changing event. “Four years ago,” she writes, “married to the father of my three children, I fell in love with a woman.” That woman, Abby Wambach, would become her wife. Emblematically arranged into three sections—“Caged,” “Keys,” “Freedom”—the narrative offers, among other elements, vignettes about the soulful author’s girlhood, when she was bulimic and felt like a zoo animal, a “caged girl made for wide-open skies.” She followed the path that seemed right and appropriate based on her Catholic upbringing and adolescent conditioning. After a downward spiral into “drinking, drugging, and purging,” Doyle found sobriety and the authentic self she’d been suppressing. Still, there was trouble: Straining an already troubled marriage was her husband’s infidelity, which eventually led to life-altering choices and the discovery of a love she’d never experienced before. Throughout the book, Doyle remains open and candid, whether she’s admitting to rigging a high school homecoming court election or denouncing the doting perfectionism of “cream cheese parenting,” which is about “giving your children the best of everything.” The author’s fears and concerns are often mirrored by real-world issues: gender roles and bias, white privilege, racism, and religion-fueled homophobia and hypocrisy. Some stories merely skim the surface of larger issues, but Doyle revisits them in later sections and digs deeper, using friends and familial references to personify their impact on her life, both past and present. Shorter pieces, some only a page in length, manage to effectively translate an emotional gut punch, as when Doyle’s therapist called her blooming extramarital lesbian love a “dangerous distraction.” Ultimately, the narrative is an in-depth look at a courageous woman eager to share the wealth of her experiences by embracing vulnerability and reclaiming her inner strength and resiliency.

Doyle offers another lucid, inspiring chronicle of female empowerment and the rewards of self-awareness and renewal.

Pub Date: March 10, 2020

ISBN: 978-1-9848-0125-8

Page Count: 352

Publisher: Dial Books

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Did you like this book?

more