An incomplete, if lovingly told, adoption story.

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THE STORY I'LL TELL

Love for an adoptive child guides fanciful musings about his origins.

A mother snuggles her child and reads him a book while italicized text suggests her thoughts: “Someday when you ask where you came from, I’ll tell you a story.” Ensuing double-page spreads present clever, fantastic scenarios of a baby arriving in a hot air balloon’s basket, in a horseman’s satchel, and in the arms of an angel, among other visions. Some scenes use geographic or cultural markers to suggest specific heritage—a reference to “the mountains of Yunnan” suggests that the child was born in China. While text avoids gendered pronouns and nouns, artistic markers such as blue pajamas and short, cropped hair hint that the child is a boy, which is notable since the vast majority of Chinese children placed for adoption are girls. A heartwarming conclusion ties the mother’s fanciful stories to the parents’ real flight through the sky with their new baby and acknowledges that “the truth is a beautiful story too.” But, despite a line about how the baby "cried for things lost and new," nowhere in this beautiful truth is there room for overt acknowledgement of birthparents, which is a shame, given the loving depiction of the multigenerational adoptive family that concludes the book.

An incomplete, if lovingly told, adoption story. (Picture book. 4-7)

Pub Date: Nov. 1, 2015

ISBN: 978-1-62014-160-1

Page Count: 32

Publisher: Lee & Low Books

Review Posted Online: Aug. 12, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles.

THE DINKY DONKEY

Even more alliterative hanky-panky from the creators of The Wonky Donkey (2010).

Operating on the principle (valid, here) that anything worth doing is worth overdoing, Smith and Cowley give their wildly popular Wonky Donkey a daughter—who, being “cute and small,” was a “dinky donkey”; having “beautiful long eyelashes” she was in consequence a “blinky dinky donkey”; and so on…and on…and on until the cumulative chorus sails past silly and ludicrous to irresistibly hysterical: “She was a stinky funky plinky-plonky winky-tinky,” etc. The repeating “Hee Haw!” chorus hardly suggests what any audience’s escalating response will be. In the illustrations the daughter sports her parent’s big, shiny eyes and winsome grin while posing in a multicolored mohawk next to a rustic boombox (“She was a punky blinky”), painting her hooves pink, crossing her rear legs to signal a need to pee (“winky-tinky inky-pinky”), demonstrating her smelliness with the help of a histrionic hummingbird, and finally cozying up to her proud, evidently single parent (there’s no sign of another) for a closing cuddle.

Should be packaged with an oxygen supply, as it will incontestably elicit uncontrollable gales of giggles. (Picture book. 4-6)

Pub Date: Nov. 5, 2019

ISBN: 978-1-338-60083-4

Page Count: 24

Publisher: Scholastic

Review Posted Online: Oct. 13, 2019

Kirkus Reviews Issue: Nov. 1, 2019

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A slim, feel-good story, as light and airy as the rainbows that grace its pages.

NOT QUITE NARWHAL

Being true to yourself means embracing differences and striding (or paddling) fearlessly into the world.

Emerging from a giant clam, baby unicorn Kelp lives among narwhals, believing he’s just not as good as everyone else at swimming, appreciating a squid dinner, or breathing underwater (he sports a glass diving helmet—with a gasket-encircled hole for his horn). Swept close to shore one day, he spies for the first time an adult unicorn and, struck by the resemblance to himself, totters onto solid ground. The “land narwhals” explain to him that they—and he—are unicorns. Kelp’s blissful new life of learning to do special unicorn things amid sparkles and rainbows is punctuated by sadness over the narwhal friends he left behind. Upon returning to his watery home, Kelp learns that the narwhals knew all along that he was actually a unicorn. Following a brief internal tussle over where he truly belongs, Kelp recognizes that he doesn’t have to be just one thing or another and happily unites his friends at the shoreline. As seen in Sima’s soft, digital illustrations, Kelp is adorable, and she evokes both undersea and aboveground environments artfully. The message is an appealing one that could speak to many family situations relating to multiple identities, but the central dilemma is resolved so quickly and easily that there is little room for emotional engagement.

A slim, feel-good story, as light and airy as the rainbows that grace its pages. (Picture book. 4-7)

Pub Date: Feb. 14, 2017

ISBN: 978-1-4814-6909-8

Page Count: 40

Publisher: Simon & Schuster

Review Posted Online: Nov. 2, 2016

Kirkus Reviews Issue: Nov. 15, 2016

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