Poignant but not overly sentimental—and actually quite light in some places—this quiet offering opens up a discussion of a...
A delicate, perceptive look at an elderly loved one with dementia.
Julia’s grandmother’s eyes sparkled like candles on a cake, and she always smelled like lilac and cinnamon whenever they cuddled up close. But lately, “ever so slowly, like a low tide leaving the bay, a change came along.” Julia’s grandma is becoming more and more forgetful. Van Laan gently takes readers through the different stages of dementia, from Grandma forgetting names (“she liked to scramble our names for breakfast instead of eggs”) and then events, forgetting where she parked, mixing things up in the kitchen and repeating herself to eventually wandering outside in a snowstorm and being unable to care for herself. Told from Julia’s perspective, the story is tinged with the little girl’s confusion and worry, but the ultimate tone is one of love and reassurance. Julia knows there is no cure but still hugs her grandma tight every time they visit. A soft palette of warm greens and yellows and the unmistakable blue of forget-me-not flowers blankets readers in a wash of grandmotherly comfort.
Poignant but not overly sentimental—and actually quite light in some places—this quiet offering opens up a discussion of a condition that affects many. (Picture book. 4-8)Pub Date: Aug. 5, 2014
ISBN: 978-0-449-81543-4
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: June 9, 2014
Kirkus Reviews Issue: July 1, 2014
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As insubstantial as hot air.
A diverse cast of children first makes a fleet of hot air balloons and then takes to the sky in them.
Lifestyle maven Gaines uses this activity as a platform to celebrate diversity in learning and working styles. Some people like to work together; others prefer a solo process. Some take pains to plan extensively; others know exactly what they want and jump right in. Some apply science; others demonstrate artistic prowess. But “see how beautiful it can be when / our differences share the same sky?” Double-page spreads leading up to this moment of liftoff are laid out such that rhyming abcb quatrains typically contain one or two opposing concepts: “Some of us are teachers / and share what we know. / But all of us are learners. / Together is how we grow!” In the accompanying illustration, a bespectacled, Asian-presenting child at a blackboard lectures the other children on “balloon safety.” Gaines’ text has the ring of sincerity, but the sentiment is hardly an original one, and her verse frequently sacrifices scansion for rhyme. Sometimes it abandons both: “We may not look / or work or think the same, / but we all have an / important part to play.” Swaney’s delicate, pastel-hued illustrations do little to expand on the text, but they are pretty. (This book was reviewed digitally with 11.2-by-18.6-inch double-page spreads viewed at 70.7% of actual size.)
As insubstantial as hot air. (Picture book. 4-8)Pub Date: Nov. 10, 2020
ISBN: 978-1-4003-1423-2
Page Count: 32
Publisher: Tommy Nelson
Review Posted Online: Jan. 18, 2021
BOOK REVIEW
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