With this imaginary journey, Willard (Step Lightly, 1998, etc.) turns away from the self-indulgence of her recent work towards the vision and beguiling language of A Visit to William Blake’s Inn (1981). When a door opens in the shadows of her “plain and small” living room, a latter-day Alice chases a golden ball through “an older space/ . . . over the Bridge of Butterflies,/across the Field of Lesser Beasts,” and into more magic realms. Christiana observes and expands on the hint of the psychedelic that runs through the incantatory text; the underside of a bed becomes a wide space through which fly the “snails and numbers, stars and sheep/my mother counts to fall asleep,” while elsewhere great half-seen constructions and familiar creatures made marvelous blend into shimmering backgrounds. Guided home in the end by a mysterious King of Keys, the young traveler offers readers a key of her own: “A hundred pencils, swift as rain,/writing on sheets of beaten gold/would not be quick enough to hold/the strange adventures/shadows hold.” Bon voyage. (Picture book. 7-10)
Pub Date: April 1, 1999
ISBN: 0-316-94115-8
Page Count: 32
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1999
Lunge-Larsen and Preus debut with this story of a flower that blooms for the first time to commemorate the uncommon courage of a girl who saves her people from illness. The girl, an Ojibwe of the northern woodlands, knows she must journey to the next village to get the healing herb, mash-ki- ki, for her people, who have all fallen ill. After lining her moccasins with rabbit fur, she braves a raging snowstorm and crosses a dark frozen lake to reach the village. Then, rather than wait for morning, she sets out for home while the villagers sleep. When she loses her moccasins in the deep snow, her bare feet are cut by icy shards, and bleed with every step until she reaches her home. The next spring beautiful lady slippers bloom from the place where her moccasins were lost, and from every spot her injured feet touched. Drawing on Ojibwe sources, the authors of this fluid retelling have peppered the tale with native words and have used traditional elements, e.g., giving voice to the forces of nature. The accompanying watercolors, with flowing lines, jewel tones, and decorative motifs, give stately credence to the story’s iconic aspects. (Picture book/folklore. 4-8)
Pub Date: March 1, 1999
ISBN: 0-395-90512-5
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1999
A sentimental tale overwhelmed by busy illustrations and rampant pedantry. A gifted quiltmaker who makes outstanding quilts never sells her wares, but gives them away to the poor. A greedy king so loves presents that he has two birthdays a year, and commands everyone in the kingdom to give him gifts. Everyone brings presents till the castle overflows; the king, still unhappy, locates the quiltmaker and directs her to make him a quilt. When she refuses he tries to feed her to a hungry bear, then to leave her on a tiny island, but each time the quiltmaker’s kindness results in her rescue. At last, the king agrees to a bargain; he will give away his many things, and the quiltmaker will sew him a quilt. He is soon poor, but happier than he’s ever been, and she fulfills her end of the bargain; they remain partners forever after, with her sewing the quilts and him giving them away. The illustrations are elaborate, filled with clues to quilt names. A note points to the 250 different quilt names hidden in the picture on the inside of the book jacket. (Picture book. 6-10)
Pub Date: Oct. 1, 1999
ISBN: 1-57025-199-1
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 1999
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