This otherwise successful series stumbles a bit in this outing.

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WHERE SHALL WE GO?

From the Curious Sameer series , Vol. 4

The third offering in the Curious Sameer series from India invites readers to consider all the fun to be had during school vacations.

Sameer delights in giving Amma clues about the “special place” where he plans to spend his school vacation. From page to page, he constructs a childhood idyll, and his mother guesses various places that might embody the joys he describes. Finally, Amma repeats all of the wonderful things he mentions and asks him to tell her where this special place is. He reveals it to be “Grandma and Grandpa’s house, of course!” This lovely resolution is somewhat undermined by how out of place the English monikers feel in a story partially defined by its cultural specificity and seamless use of the term Amma and the name Sameer. Another, arguably more egregious, misstep occurs when Sameer describes a place where he can bring “puzzles, paint box, and drawing book.” Amma guesses that he is describing a summer camp, and the accompanying art shows children making art outside amid what seem like generic Plains Indian teepees. How these structures relate to a vision of summer camp is unclear—except perhaps through an unfortunate, tired reiteration of a stereotype of American Indians.

This otherwise successful series stumbles a bit in this outing. (Picture book. 3-6)

Pub Date: July 15, 2014

ISBN: 978-8-181-90287-0

Page Count: 28

Publisher: Karadi Tales

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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Plotless and pointless, the book clearly exists only because its celebrity author wrote it.

YOUR BABY'S FIRST WORD WILL BE DADA

A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.

A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.

Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)

Pub Date: June 9, 2015

ISBN: 978-1-250-00934-0

Page Count: 32

Publisher: Feiwel & Friends

Review Posted Online: April 15, 2015

Kirkus Reviews Issue: May 1, 2015

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This celebration of cross-generational bonding is a textual and artistic tour de force.

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LAST STOP ON MARKET STREET

A young boy yearns for what he doesn’t have, but his nana teaches him to find beauty in what he has and can give, as well as in the city where they live.

CJ doesn’t want to wait in the rain or take the bus or go places after church. But through Nana’s playful imagination and gentle leadership, he begins to see each moment as an opportunity: Trees drink raindrops from straws; the bus breathes fire; and each person has a story to tell. On the bus, Nana inspires an impromptu concert, and CJ’s lifted into a daydream of colors and light, moon and magic. Later, when walking past broken streetlamps on the way to the soup kitchen, CJ notices a rainbow and thinks of his nana’s special gift to see “beautiful where he never even thought to look.” Through de la Peña’s brilliant text, readers can hear, feel and taste the city: its grit and beauty, its quiet moments of connectedness. Robinson’s exceptional artwork works with it to ensure that readers will fully understand CJ’s journey toward appreciation of the vibrant, fascinating fabric of the city. Loosely defined patterns and gestures offer an immediate and raw quality to the Sasek-like illustrations. Painted in a warm palette, this diverse urban neighborhood is imbued with interest and possibility.

This celebration of cross-generational bonding is a textual and artistic tour de force. (Picture book. 3-6)

Pub Date: Jan. 8, 2015

ISBN: 978-0-399-25774-2

Page Count: 32

Publisher: Putnam

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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