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THE FORTUNE TELLER AND OTHER SHORT WORKS

Cleareyed observations and a unique cast improve this predictable collection.

From Avery (A Curious Host, 2016, etc.), a macabre collection of short stories that meanders into sci-fi territory.

Vivid characters from the fringes populate these pages. Readers meet Dr. Henry Woodridge, a dentist “hemorrhaging any affection he may have once felt” for his wife of 32 years in “When the Magic Disappears.” In “The Fortune Teller,” Maria has her fortune read by a Roma who predicts she’ll become an Osteomorph, a fantastical creature that “must have bones that are light and free from density.” “The Captain” follows a Navy vet who longs to set sail in his own boat, so he builds one…only to discover it won’t fit through the door frame. Nature is a recurring theme. “The Frog” contemplates how an amphibian rose to the top of the forest animals’ administration, while “A Morning Spill” speaks from the perspective of the bay, the sun, and a gull. The author also plays with form, crafting an obituary to a Siamese fighting fish in “Good-Bye Mr. Fish” and using letters from one woman to another, sans responses, in “Letters to Kay.” Avery paints an impressive picture of the natural world with atmospheric descriptions, like “the day dripped gray all morning” and tree leaves that “curl as crisp as pork rinds.” Character descriptions are equally sharp. Miss Geller’s “narrow red lips extended into a scarlet crinkle,” and Gary “smelled like bologna from breakfast.” Unfortunately, many of these stories lack surprise. In “Hungry Hill,” a woman’s Himalayan kitten disappears under suspicious circumstances after she leaves it with several ne’er-do-wells. In “When the Magic Disappears,” Dr. Woodridge plots to poison his wife with radiation only to discover something the reader may too easily guess. The handful of prose poems proves diverting enough but doesn’t add to the overall narrative.

Cleareyed observations and a unique cast improve this predictable collection.

Pub Date: July 1, 2018

ISBN: 978-1-54393-184-6

Page Count: 140

Publisher: BookBaby

Review Posted Online: Aug. 28, 2018

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THE THINGS THEY CARRIED

It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.

Pub Date: March 28, 1990

ISBN: 0618706410

Page Count: 256

Publisher: Houghton Mifflin

Review Posted Online: Oct. 2, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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A KNIGHT OF THE SEVEN KINGDOMS

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in...

Huzzah! Martin (The Ice Dragon, 2014, etc.) delivers just what fans have been waiting for: stirring tales of the founding of the Targaryen line.

Duncan—Dunk for short—has his hapless moments. He’s big, nearly gigantic, “hugely tall for his age, a shambling, shaggy, big-boned boy of sixteen or seventeen.” Uncertain of himself, clumsy, and alone in the world, he has every one of the makings of a hero, if only events will turn in that direction. They do, courtesy of a tiny boy who steals into the “hedge knight” Dunk’s life and eventually reveals a name to match that of Ser Duncan the Tall—an altogether better name, at that, than Duncan of Flea Bottom would have been. Egg, as the squire calls himself, has a strange light about him, as if he will be destined to go on to better things, as indeed he will. Reminiscent of a simpler Arthur Rackham, the illustrations capture that light, as they do the growing friendship between Dunk and Egg—think Manute Bol and Muggsy Bogues, if your knowledge of basketball matches your interest in fantasy. This being Martin, that friendship will not be without its fraught moments, its dangers and double crosses and knightly politics. There are plenty of goopily violent episodes as well, from jousts (“this time Lord Leo Tyrell aimed his point so expertly he ripped the Grey Lion’s helm cleanly off his head”) to medieval torture (“Egg…used the hat to fan away the flies. There were hundreds crawling on the dead men, and more drifting lazily through the still, hot air.”). Throughout, Martin delivers thoughtful foreshadowing of the themes and lineages that will populate his Ice and Fire series, in which Egg, it turns out, is much less fragile than he seems.

As Tolkien had his Silmarillion, so Martin has this trilogy of foundational tales. They succeed on their own, but in addition, they succeed in making fans want more—and with luck, Martin will oblige them with more of these early yarns.

Pub Date: Oct. 6, 2015

ISBN: 978-0-345-53348-7

Page Count: 368

Publisher: Bantam

Review Posted Online: Oct. 6, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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