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THE COLONY

A remarkable family tale that fully embraces its weirdness and ambiguity.

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After encountering others with similar secrets, two siblings make a drastic, grim decision in this novel.

Yoshi lives with his sister, Saachi, and their mother, Henrietta. It’s not an easy existence, as Henrietta often has paper bags of “roogs” (drugs) and stays inside her room, dazed, for prolonged intervals. She also has a local reputation as a murderer due to her lethally shooting an aggressive gardener and his dog. It was unquestionably self-defense, but that hasn’t prevented a stigma shadowing the mother and her children. When Yoshi finds cryptic notes hidden in a library book, the messages direct him to a small group of individuals. They claim that Yoshi is one of them, as everyone in this gathering they call The Colony has parents who use and/or deal drugs. Regular meetings with The Colony and further concealed notes only seem to elevate Yoshi’s distrust, including of the vagrant Sikes, whom the boy is intent on helping. But even more telling is his new friends’ insistence on taking care of his “problem.” It soon becomes apparent to Yoshi and Saachi that getting rid of Henrietta may be their only option. Avery’s offbeat story is intentionally vague. For example, there’s no specific time period or setting, and the siblings sometimes converse in their own dialect. Nevertheless, the brother-sister relationship grounds the narrative; they may argue but their mutual compassion is unmistakable, even if it stems from an emotionally absent mother. Likewise, there’s a general unease, as motivations, including The Colony’s and Sikes’, aren’t immediately clear. But while the siblings’ language generates memorable slang that readers will enjoy, some inconsistent spellings make it unnecessarily confusing. (“Cabbu,” which seems to mean cash, is later “caboo”; “ledling,” which essentially means sleeping, is also “ladling.”) The events all lead to a twist ending that the author subtly hints at throughout the darkly bizarre novel.

A remarkable family tale that fully embraces its weirdness and ambiguity.

Pub Date: Feb. 28, 2020

ISBN: 978-1-5439-9191-8

Page Count: 150

Publisher: BookBaby

Review Posted Online: March 17, 2020

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  • New York Times Bestseller

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HOME IS WHERE THE BODIES ARE

Answers are hard to come by in this twisting tale designed to trick and delight.

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Three siblings on very different paths learn that their family home may be haunted by secrets.

Eldest daughter Beth is alone with her fading mother as she takes her final breath and says something about Beth’s long-departed brother and sister, who may not have disappeared forever. Beth is still reeling from the loss of her mother when her estranged siblings show up. Michael, the youngest, hasn’t been home since their father’s disappearance seven years ago. In the meantime, he’s outgrown his siblings, trading his share of the family troubles for a high-paying job in San Jose. Nicole, the middle child, has been overpowered by addiction and prioritized tuning out reality over any sense of responsibility, much to Beth’s disgust. Though their mother’s death marks an ending for the family, it’s also a beginning, as the three siblings realize when they find a disturbing videotape among their parents’ belongings. The video, from 1999, sheds suspicion on their father’s disappearance, linking it to a long-unsolved neighborhood mystery. Was it just a series of unfortunate circumstances that broke the family apart, or does something more sinister underlie the sadness they’ve all found in life? In chapters that rotate among the family’s first-person narratives, the siblings take turns digging up stories and secrets in their search for solace.

Answers are hard to come by in this twisting tale designed to trick and delight.

Pub Date: April 30, 2024

ISBN: 9798212182843

Page Count: 270

Publisher: Blackstone

Review Posted Online: Feb. 3, 2024

Kirkus Reviews Issue: March 1, 2024

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IDENTITY

Roberts revisits a favorite theme: The power of community can defeat a great evil.

After escaping from a serial killer, a woman tries to reclaim her life.

After a childhood as an Army brat, Morgan Albright is determined to put down roots. She bought a small house in the perfect neighborhood outside of Baltimore, living with a friend and working two jobs to make ends meet. Morgan’s life is happy and fulfilling, and she is making progress on her financial and career goals. Her perfect world is shattered when someone breaks into her home and murders her roommate. At first, the police assume it was a random act of violence, but after discovering the killer stole Morgan’s identity and her entire savings, they realize the crime fits the profile of a serial killer named Gavin Rozwell. The police inform Morgan that her roommate was simply in the wrong place at the wrong time; she was the real intended target. Morgan’s grief, coupled with the financial devastation from the identity theft, leaves her no choice but to return home to Vermont to live with her mother and grandmother. Morgan reconnects with her family and rebuilds her life, including landing the perfect job and falling in love. The police and FBI pursue Gavin, who continues to stalk and kill women, each time leaving a reminder at the crime scene that shows he’s fixated on Morgan as the one who got away. Roberts shows Gavin’s slow descent into obsession and madness as the inverse of Morgan’s healing journey back to herself and her community. The novel highlights Morgan’s preparations for the inevitable final countdown with Gavin, but the lack of immediacy and urgency of the threat makes for a subdued, restrained thriller.

Roberts revisits a favorite theme: The power of community can defeat a great evil.

Pub Date: May 23, 2023

ISBN: 9781250284112

Page Count: 448

Publisher: St. Martin's

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: April 15, 2023

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