All will agree with Red Knit Cap Girl: “It is good to share books.” (Picture book. 3-6)
A little girl and her forest friends build the perfect, albeit old-fashioned, library.
In two previous titles, Red Knit Cap Girl talked to the moon and rescued a lost animal. Here, readers see her as a book lover who establishes a library in a “nook,” a hollow in a great tree. With contributions from White Bunny, Squirrel, Hedgehog, Bear and the Birds, its collection of books grows. Beaver has no books, but he builds a shelf. Only Sly Fox lacks the requisite community spirit (he steals a book). The Sheep bring blankets for winter snuggling, while Moon and Owl provide a finishing touch by creating a sign that says “Library.” Once again, Stoop’s acrylic, pencil and ink artwork on plywood provides appealing textures and delicately nuanced colors for daytime, nighttime and the passing seasons. Children will delight in pointing out the many little humorous touches, while parents and librarians will take a quiet and glorious pleasure in sharing a story about books and reading. There is nary a beep to be heard or a flashing light to be seen in this loving ode to the printed page, reading and sharing stories.
All will agree with Red Knit Cap Girl: “It is good to share books.” (Picture book. 3-6)Pub Date: Sept. 23, 2014
ISBN: 978-0-316-22886-2
Page Count: 40
Publisher: Megan Tingley/Little, Brown
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Like its subject: full of bustling life yet peaceful.
Life buzzes in a community garden.
Surrounded by apartment buildings, this city garden gets plenty of human attention, but the book’s stars are the plants and insects. The opening spread shows a black child in a striped shirt sitting in a top-story window; the nearby trees and garden below reveal the beginnings of greenery that signal springtime. From that high-up view, the garden looks quiet—but it’s not. “Sleepy slugs / and garden snails / leave behind their silver trails. / Frantic teams of busy ants / scramble up the stems of plants”; and “In the earth / a single seed / sits beside a millipede. / Worms and termites / dig and toil / moving through the garden soil.” Sicuro zooms in too, showing a robin taller than a half-page; later, close-ups foreground flowers, leaves, and bugs while people (children and adults, a multiracial group) are crucial but secondary, sometimes visible only as feet. Watercolor illustrations with ink and charcoal highlights create a soft, warm, horticulturally damp environment. Scale and perspective are more stylized than literal. McCanna’s superb scansion never misses, incorporating lists of insects and plants (“Lacewings, gnats, / mosquitos, spiders, / dragonflies, and water striders / live among the cattail reeds, / lily pads, and waterweeds”) with description (“Sunlight warms the morning air. / Dewdrops shimmer / here and there”). Readers see more than gardeners do, such as rabbits stealing carrots and lettuce from garden boxes.
Like its subject: full of bustling life yet peaceful. (author’s note) (Picture book. 3-6)Pub Date: Feb. 18, 2020
ISBN: 978-1-5344-1797-7
Page Count: 48
Publisher: Paula Wiseman/Simon & Schuster
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
A universal theme, developed in an unusually clean, simple presentation…and, at least, with no need for batteries.
Matheson invites readers to take an apple tree through a seasonal round using taps and page turns in place of touch-screens.
“There’s magic in this bare brown tree. / Tap it once. / Turn the page to see.” Making the resemblance to a tablet app even more apparent, the tissue-collage leaves, flowers and fruits that grow, mature and fall in succession on the scaffolding of branches “appear” following cued shakes, pats, blown breaths, claps and gestures as well as simple taps. The tree, suspended in white space on each spread, is all there is to see (until a pair of nesting bluebirds fly in at the end)—so that even very young children will easily follow its changes through spring, summer and winter dormancy to a fresh spring. Like the print version of Hervé Tullet’s Press Here (2011), from which this plainly takes its inspiration, the illusion of interactivity exercises a reader’s imagination in ways that digital media do not. Still, the overall result is more an imitation of an app than a creative use of ink, paper and physical design.
A universal theme, developed in an unusually clean, simple presentation…and, at least, with no need for batteries. (Picture book. 3-6)Pub Date: Sept. 1, 2013
ISBN: 978-0-06-227445-8
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: May 28, 2013
Kirkus Reviews Issue: June 15, 2013
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