SINGING SHIJIMI CLAMS

Told and illustrated with equal spareness, this tender Japanese tale will please young readers who find the fate of the oysters in “The Walrus and the Carpenter” discomfiting. Having left her “mean and feisty” years behind, an old witch not only can’t bring herself to pour the bagful of small, gently snoring clams she’s brought home into her boiling miso soup, but when they wake and begin to cry, she offers to take them back to the shore. Buying train tickets for so many, however, seems impossible—until the clams begin to sing “with pretty little voices, like tiny popping bubbles,” charming enough contributions from passersby to finance the trip. By the end not, only have the faces that Kojima puts on the clam shells in her tiny, delicate line drawings gone from dismay to delight, but the habitual frowns on the witch and her bad-tempered cat have likewise changed to smiles. All live happily ever after on the beach, “surrounded by the pretty voices of the clams, the gentle sound of the waves, and the warmth of the sun.” A feel-good episode if ever there was one. (Picture book. 6-8)

Pub Date: Sept. 1, 2006

ISBN: 1-933605-12-X

Page Count: 32

Publisher: Kane Miller

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Aug. 1, 2006

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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One of those rare thrillers whose answers are even more scarifying than its mysteries.

AFTER ALL I'VE DONE

A middle-aged woman sidelined by a horrific accident finds even sharper pains waiting on the other side of her recuperation in this expert nightmare by Hardy, familiar to many readers as Megan Hart, author of All the Secrets We Keep (2017), etc.

Five months ago, while she was on her way to the hospital with an ailing gallbladder, Diana Sparrow’s car hit a deer on a rural Pennsylvania road. When she awoke, she was minus her gallbladder, two working collarbones (and therefore two functioning arms), and her memory. During a recovery that would’ve been impossible without the constant ministrations of Harriett Richmond, the mother-in-law who’s the real reason Diana married her husband, Jonathan, Diana’s discovered that Jonathan has been cheating on her with her childhood friend Valerie Delagatti. Divorce is out of the question: Diana’s grown used to the pampered lifestyle the prenup she’d signed would snatch away from her. Every day is filled with torments. She slips and falls in a pool of wine on her kitchen floor she’s sure she didn’t spill herself. At the emergency room, her credit card and debit card are declined. She feels that she hates oppressively solicitous Harriett but has no idea why. Her sessions with her psychiatrist fail to heal her rage at her adoptive mother, an addict who abandoned her then returned only to disappear again and die an ugly death. Even worse, her attempts to recover her lost memory lead to an excruciatingly paced series of revelations. Val says Diana asked her to seduce Jonathan. Diana realizes that Cole, a fellow student in her watercolor class, isn’t the stranger she’d thought he was. Where can this maze of deceptions possibly end?

One of those rare thrillers whose answers are even more scarifying than its mysteries.

Pub Date: Nov. 10, 2020

ISBN: 978-1-64385-470-0

Page Count: 310

Publisher: Crooked Lane

Review Posted Online: Aug. 19, 2020

Kirkus Reviews Issue: Sept. 1, 2020

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MERCY WATSON TO THE RESCUE

Hilarity and hijinks abound in this tale about a voracious swine with an overweening yen for hot buttered toast. Mercy is the beloved pet pig of the doting Mr. and Mrs. Watson. When Mercy sneaks into her owner’s bed one night, her added heft causes the bed to fall partway through the ceiling. Although the besotted Watsons assume Mercy is trotting off to seek help, the only search and rescue Mercy seems to care about involves butter and hot bread. In her quest for some midnight munchies, Mercy awakens the crotchety neighbor. Wild chases and mayhem ensue before help arrives in the guise of firefighters. DiCamillo aims for over-the-top fun with her tale of porcine shenanigans, and Van Dusen’s gouache illustrations provide a comical counterpart to the text. The glossy paintings, with exaggerated caricatures and lively colors, complement DiCamillo’s tone, although the scowling, lantern-jawed visage of the crabby neighbor borders on the unpleasant. With vocabulary that may prove too challenging for a novice, DiCamillo’s tale is best suited for those ready to move up. However, the pacing and the action easily make it right for shared reading. (Fiction. 6-8)

Pub Date: Sept. 1, 2005

ISBN: 0-7636-2270-2

Page Count: 80

Publisher: Candlewick

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 1, 2005

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