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WEEKEND DAD

Unsparingly compassionate; an excellent addition to the collection of books about separation and divorce.

A child's narration captures the confusion and sorrow that children of separated and divorced parents can feel.

Dad and mom have separated or perhaps even divorced, resulting in some life-altering changes. The redheaded child narrator has dad on the mind all week after Dad moves out on Monday. But on Friday night, it is time to say goodbye to Mom and visit Dad’s new apartment: “My dad says I have two homes now.” Accustomed to a home once shared with both parents (all three family members have pale skin), the child feels scared on the first night in dad’s apartment and wanders into his room to watch him sleep, wondering if even grown-ups get scared too. The story captures little moments that have big meaning—the tender kiss Mom gives the child when leaving to stay with Dad for the first time; Dad’s wide eyes as he picks up his kid at what used to be his own home; the child leaving a favorite stuffed animal with Dad so that he won’t feel alone; and a poignant letter the father leaves with the child, an abridged version of one the author’s own father once wrote to her. With characteristically stylized, offbeat visuals, Viva’s illustrations capture the abundant emotional subtext with simple but effective lines.

(This book releases first as a digital edition, with print release currently scheduled for Aug. 4, 2020.)

Unsparingly compassionate; an excellent addition to the collection of books about separation and divorce. (Picture book. 3-7)

Pub Date: May 1, 2020

ISBN: 978-1-77306-108-5

Page Count: 36

Publisher: Groundwood

Review Posted Online: March 14, 2020

Kirkus Reviews Issue: April 1, 2020

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PEANUT BUTTER & CUPCAKE

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school...

The familiar theme of the challenges facing a new kid in town is given an original treatment by photographer Border in this book of photos of three-dimensional objects in a simple modeled landscape.

Peanut Butter is represented by a slice of white bread spread with the popular condiment. The other characters in the story—a hamburger with a pair of hot dogs in tow, a bowl of alphabet soup, a meatball jumping a rope of spaghetti, a carton of French fries and a pink cupcake—are represented by skillfully crafted models of these foods, anthropomorphized using simple wire construction. Rejected by each character in turn in his search for playmates, Peanut Butter discovers in the end that Jelly is his true match (not Cupcake, as the title suggests), perhaps because she is the only one who looks like him, being a slice of white bread spread with jelly. The friendly foods end up happily playing soccer together. Some parents may have trouble with the unabashedly happy depiction of carbs and American junk food (no carrots or celery sticks in this landscape), and others may find themselves troubled by the implication that friendship across difference is impossible.

Still, preschoolers will likely savor this mouthwatering treatment of a subject that looms large in many early school experiences. (Picture book. 3-6)

Pub Date: July 29, 2014

ISBN: 978-0-399-16773-7

Page Count: 32

Publisher: Philomel

Review Posted Online: May 13, 2014

Kirkus Reviews Issue: June 1, 2014

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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