by Natalia Chernysheva ; illustrated by Natalia Chernysheva ‧ RELEASE DATE: Oct. 1, 2019
As comforting as a home-cooked meal.
A young adult comes home in Chernysheva’s uplifting wordless picture book.
A lone house stands beside an outstretched tree in a vast, empty field. The light-skinned traveler boards a yellow bus, its driver just a mere shadow. The yellow bus makes its way through the crowded streets of Moscow as buildings and churches loom overhead in a mishmash of lines and blank spaces. On and on the bus goes until it deposits the traveler onto that vast, empty field to make the way to the house, where a small figure tends the garden. The gardener—a parent or grandparent, perhaps—looks up. The giant traveler towers over the minuscule gardener in a series of double-page spreads that play with space and perspective in unusual ways. Chernysheva’s plain, mostly colorless artwork maintains a focus on the long journey and eventual reunion thanks to the book’s languid pace. Color (primarily red and yellow) emerges during seemingly minor yet significant moments, drawing attention to each character’s love for the other. A deep embrace and a sweet kiss to the cheek cement the relationship between the two adults. The old gardener stirs up a pot of warm stew, and the traveler (now the size of a child) sits down amid the garden.
As comforting as a home-cooked meal. (Picture book. 4-7)Pub Date: Oct. 1, 2019
ISBN: 978-1-77306-209-9
Page Count: 36
Publisher: Groundwood
Review Posted Online: June 22, 2019
Kirkus Reviews Issue: July 15, 2019
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson
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