by Natalie Babbitt ‧ RELEASE DATE: April 14, 1969
What is the definition of Delicious? The King's all for apples, the Queen favors Christmas pudding, and soon the entry in Prime Minister DeCree's dictionary is a bone of contention throughout the court. Alarmed, the King dispatches young Gaylen, DeCree's foster son and Special Assistant, to take a poll of the whole kingdom. But the Queen's churlish brother Hemlock has preceded him, and the question not only raises tempers, it also seems to prove Hemlock's contention that the King plans to ban certain foods. In short order, the country is on the brink of civil war between Squashies and Crisps. So far it's a spoof of society; then Gaylen discovers, in encounterswith a woldweller, dwarfs and the winds, what the reader already knows—that long ago, before they withdrew in disgust at the folly of men, Ardis the mermaid lost the whistle that opens the door to the spring house under the lake that's the source of all water; her doll is there, and she still wants it back. Though the storm in a saucepan tempts Gaylen to echo the spirits' "It's nothing to me," loyalty and love and his own humanity prevail, and, realizing that he has the whistle (bestowed by a minstrel descended from Ardis' diverster), he bargains for her help in thwarting Hemlock's plan to dam the lake and gain control of the kingdom. A tricky, twisty plot but an intriguing one, stylishly spun by the author of The Forty-ninth Magician and other short conceits; she's doing the drawings also, which should be something to look forward to.
Pub Date: April 14, 1969
ISBN: 0312369824
Page Count: 196
Publisher: Farrar, Straus and Giroux
Review Posted Online: April 13, 2012
Kirkus Reviews Issue: April 1, 1969
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by Natalie Babbitt ; adapted by K. Woodman-Maynard ; illustrated by K. Woodman-Maynard
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by Holly Black ‧ RELEASE DATE: Jan. 2, 2018
Black is building a complex mythology; now is a great time to tune in.
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New York Times Bestseller
Black is back with another dark tale of Faerie, this one set in Faerie and launching a new trilogy.
Jude—broken, rebuilt, fueled by anger and a sense of powerlessness—has never recovered from watching her adoptive Faerie father murder her parents. Human Jude (whose brown hair curls and whose skin color is never described) both hates and loves Madoc, whose murderous nature is true to his Faerie self and who in his way loves her. Brought up among the Gentry, Jude has never felt at ease, but after a decade, Faerie has become her home despite the constant peril. Black’s latest looks at nature and nurture and spins a tale of court intrigue, bloodshed, and a truly messed-up relationship that might be the saving of Jude and the titular prince, who, like Jude, has been shaped by the cruelties of others. Fierce and observant Jude is utterly unaware of the currents that swirl around her. She fights, plots, even murders enemies, but she must also navigate her relationship with her complex family (human, Faerie, and mixed). This is a heady blend of Faerie lore, high fantasy, and high school drama, dripping with description that brings the dangerous but tempting world of Faerie to life.
Black is building a complex mythology; now is a great time to tune in. (Fantasy. 14-adult)Pub Date: Jan. 2, 2018
ISBN: 978-0-316-31027-7
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Sept. 25, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by Holly Black ; illustrated by Rovina Cai
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by Holly Black & Kaliis Smith ; illustrated by Ebony Glenn
by Lilliam Rivera ‧ RELEASE DATE: Sept. 15, 2020
This fresh reworking of a Greek myth will resonate.
An otherworldly Latinx retelling of the Orpheus and Eurydice myth set in the South Bronx.
Pheus visits his father in the Bronx every summer. The Afro-Dominican teen is known for his mesmerizing bachata music, love of history, and smooth way with the ladies. Eury, a young Puerto Rican woman and Hurricane Maria survivor, is staying with her cousin for the summer because of a recent, unspecified traumatic event. Her family doesn’t know that she’s been plagued since childhood by the demonlike Ato. Pheus and Eury bond over music and quickly fall in love. Attacked at a dance club by Sileno, its salacious and satyrlike owner, Eury falls into a coma and is taken to el Inframundo by Ato. Pheus, despite his atheism, follows the advice of his father and a local bruja to journey to find his love in the Underworld. Rivera skillfully captures the sounds and feels of the Bronx—its unique, diverse culture and the creeping gentrification of its neighborhoods. Through an amalgamation of Greek, Roman, and Taíno mythology and religious beliefs, gaslighting, the colonization of Puerto Rico, Afro-Latinidad identity, and female empowerment are woven into the narrative. While the pacing lags in the middle, secondary characters aren’t fully developed, and the couple’s relationship borders on instalove, the rush of a summertime romance feels realistic. Rivera’s complex world is well realized, and the dialogue rings true. All protagonists are Latinx.
This fresh reworking of a Greek myth will resonate. (Fabulism. 14-adult)Pub Date: Sept. 15, 2020
ISBN: 978-1-5476-0373-2
Page Count: 320
Publisher: Bloomsbury
Review Posted Online: June 24, 2020
Kirkus Reviews Issue: July 15, 2020
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by Lilliam Rivera ; illustrated by Steph C. & Gabriela Downie
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