An homage navigated with confidence and care, as wise and wonderful as the original.
This 50th-anniversary celebration of a literally timeless classic brings Babbitt’s novel to life in a graphic novel format.
Sticking closely to the storyline as she visually fleshes out its themes and characters, Woodman-Maynard serves up a sensitive reworking that invites readers to think about what they would do if they were given the choice between a normal, finite life and an endless one. It’s a choice that lonely, 10-year-old Winnie Foster is left to make after she meets the Tucks (who stopped aging after drinking from a hidden spring near her house 87 years before) and hears their perspectives on what it’s like to watch everyone and everything they know change and die. The woodsy, small-town setting and the white-presenting cast—from exuberant, ever-17-year-old Jesse Tuck and his resigned mother, Mae, to the distinctively angular villain known only as “the man in the yellow suit,” and even a certain significant golden toad—are beautifully realized in the finely drawn watercolors. Along with incorporating atmospheric expository lines from the book into her scenes, the artist tucks in pinwheels and other circular imagery to evoke what melancholy father Angus Tuck describes as the ever-moving wheel of life and death: “You can’t have living without dying. So you can’t call it living, what we got.” The book closes with a conversation between Babbitt’s daughter, Lucy, and the adapter, as well as illuminating photos and process notes.
An homage navigated with confidence and care, as wise and wonderful as the original. (Graphic fantasy. 10-14)Pub Date: Sept. 2, 2025
ISBN: 9780374391850
Page Count: 256
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
SEEN & HEARD
Brilliant.
Young heroes rise to the challenge of protecting their home, family, and world when a new villain threatens the Glimouria Archipelago and the Immortal in this third series entry.
“New trouble” comes to the sanctuary of Glimt when Irian Guinne is kidnapped and Teren, the young Immortal, is threatened. Christopher Forrester, former princess Anya, jaculus dragon Jacques, and ratatoska navigator Ratwin undertake a series of herculean tasks to fulfill the kidnappers’ demands and free Irian, all without Nighthand’s knowledge or help. Christopher seeks knowledge from Naravirala the sphinx to understand his new, deeper connection to creatures (“It is the people you love who anchor you”), while Anya leans into her warrior nature (“What if I was born to be brave?”). Meanwhile, bandits with ouroboros bracelets pillage and burn across the Archipelago at the command of Astor Morax, and a fearsome tiger spies through mirrors. The white-presenting leads’ quest to save Irian is central, but brief sections visit Irian, Nighthand, and beautiful, deadly Carla Venasque. The climactic Battle of Glimt features ferocity, cleverness, sacrifice, and bravery, and the ending is more Shakespearean comedy than tragedy—but the danger to Teren is not over, leaving eager readers to await the fourth installment. This is a perfectly paced, mythology-laced tale of action, adventure, and heart that reminds readers that “the only thing stronger than fear is love, unceasingly and exultantly given.” Final art not seen.
Brilliant. (map, bestiary) (Fantasy. 10-14)Pub Date: Sept. 1, 2026
ISBN: 9780593809945
Page Count: 336
Publisher: Knopf
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic.
Chainani works an elaborate sea change akin to Gregory Maguire’s Wicked (1995), though he leaves the waters muddied.
Every four years, two children, one regarded as particularly nice and the other particularly nasty, are snatched from the village of Gavaldon by the shadowy School Master to attend the divided titular school. Those who survive to graduate become major or minor characters in fairy tales. When it happens to sweet, Disney princess–like Sophie and her friend Agatha, plain of features, sour of disposition and low of self-esteem, they are both horrified to discover that they’ve been dropped not where they expect but at Evil and at Good respectively. Gradually—too gradually, as the author strings out hundreds of pages of Hogwarts-style pranks, classroom mishaps and competitions both academic and romantic—it becomes clear that the placement wasn’t a mistake at all. Growing into their true natures amid revelations and marked physical changes, the two spark escalating rivalry between the wings of the school. This leads up to a vicious climactic fight that sees Good and Evil repeatedly switching sides. At this point, readers are likely to feel suddenly left behind, as, thanks to summary deus ex machina resolutions, everything turns out swell(ish).
Rich and strange (and kitted out with an eye-catching cover), but stronger in the set pieces than the internal logic. (Fantasy. 11-13)Pub Date: May 14, 2013
ISBN: 978-0-06-210489-2
Page Count: 496
Publisher: Harper/HarperCollins
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: April 15, 2013
BOOK TO SCREEN
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