Readers will root for these characters, wishing them Austen-worthy happy endings.
In the insular post-World War Two gloom of an English village, seven damaged people soldier on, heartened only by their shared enthusiasm for Jane Austen.
Chawton, the village at the heart of this story, contains the small cottage Austen occupied before her death, and it's also a cauldron of repressed longing and regret worthy of a Victorian novel. James Knight, dying heir of the Knight estate, owns the cottage as well as a stately manor house. The embittered James has altered his will: Upon his death, his only child and caregiver, Frances, a reclusive spinster of 47, will be dispossessed and the estate entailed to the closest male relative. Frances and her father’s lawyer, Andrew, were once in love, but James forced them apart. Adeline, a former schoolteacher, is pregnant and widowed—her husband died in combat in the war’s closing days. Her physician, Dr. Gray, a widower who blames himself for his wife’s accidental death, is too guilt-ridden to act on his attraction to Adeline. After she loses the baby, her Pride and Prejudice–style bantering with Dr. Gray gives way to distrust, and each flirts with morphine addiction. “Sad, silent” Adam, who farms the estate, was introduced to Austen by a visiting American fan, Mimi, a Hollywood star, who, at 35, is about to be put out to pasture by a lecherous studio boss. Evie, compelled by circumstance to forego scholarly ambitions, is a housemaid for the Knights. She’s been secretly cataloging every book in the manor’s vast library and has discovered some potentially priceless Jane Austen artifacts. These lost souls, who have been misjudged by society and/or misjudge themselves, find healing through forming the titular society to preserve the cottage as a museum—as its real-life counterpart is today. More than a passing familiarity with Austen’s work may be a prerequisite to fully appreciating this book—Austen’s characters often seem more real to Jenner’s characters than their own relatives and neighbors. But, thanks to Jenner’s psychologically astute portrayals, the society founders themselves are very real and thoroughly sympathetic.
Readers will root for these characters, wishing them Austen-worthy happy endings.Pub Date: May 26, 2020
ISBN: 978-1-250-24873-2
Page Count: 320
Publisher: St. Martin's
Review Posted Online: March 1, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
BOOK REVIEW
Ernest Hemingway, who met Markham on safari two years before her Atlantic crossing, tagged her as “a high-grade bitch” but...
A full-throttle dive into the psyche and romantic attachments of Beryl Markham—whose 1936 solo flight across the Atlantic in a two-seater prop plane (carrying emergency fuel in the extra seat) transfixed the world.
As conceived in this second historical by novelist McLain (The Paris Wife, 2011, etc.), Markham—nee Beryl Clutterbuck—is the neglected daughter of an impecunious racehorse trainer who fails to make a go at farming in British East Africa and a feckless, squeamish mother who bolts back to England with their older son. Set on her own two feet early, she is barely schooled but precociously brave and wired for physical challenges—a trait honed by her childhood companion Kibii (a lifelong friend and son of a local chief). In the Mau forest—“before Kenya was Kenya”—she finds a “heaven fitted exactly to me.” Keeping poised around large mammals (a leopard and a lion also figure significantly) is in her blood and later gains her credibility at the racecourse in Nairobi, where she becomes the youngest trainer ever licensed. Statuesque, blonde, and carrying an air of self-sufficiency—she marries, disastrously, at 16 but is granted a separation to train Lord Delamere’s bloodstock—Beryl turns heads among the cheerfully doped and dissolute Muthaiga Club set (“I don’t know what it is about Africa, but champagne is absolutely compulsory here”), charms not one but two heirs to the British crown at Baroness Karen Blixen’s soiree, and sets her cap on Blixen’s lover, Denys Fitch Hatton. She’ll have him, too, and much enjoyment derives from guessing how that script, and other intrigues, will play out in McLain’s retelling. Fittingly, McLain has Markham tell her story from an altitude of 1,800 feet: “I’m meant to do this,” she begins, “stitch my name on the sky.” Popularly regarded as “a kind of Circe” (to quote Isak Dinesen biographer Judith Thurman), the young woman McLain explores owns her mistakes (at least privately) and is more boxed in by class, gender assumptions, and self-doubt than her reputation as aviatrix, big game hunter, and femme fatale suggests.
Ernest Hemingway, who met Markham on safari two years before her Atlantic crossing, tagged her as “a high-grade bitch” but proclaimed her 1942 memoir West with the Night “bloody wonderful.” Readers might even say the same of McLain’s sparkling prose and sympathetic reimagining.Pub Date: July 28, 2015
ISBN: 978-0-345-53418-7
Page Count: 384
Publisher: Ballantine
Review Posted Online: May 6, 2015
Kirkus Reviews Issue: June 1, 2015
PROFILES
A rushed and emotionally flat story.
Two sets of siblings—unmarried sisters Charlotte and Henrietta Stevenson, and bachelor brothers Nicholas and Haslett Nelson—make their way overseas to meet Sir Francis Austen, Jane Austen’s last surviving brother.
The year is 1865. The Civil War is coming to a close, emancipation is on the horizon, the evolution of women’s rights is on everyone’s minds, and Charlotte and Henrietta Stevenson—the headstrong and independent daughters of a well-to-do Massachusetts Supreme Court justice—have a secret. Both avid fans of Jane Austen and her work, they have conspired with the author’s last surviving brother, Francis, to visit him in England. Little do they know that they aren’t the only Austen fans in touch with Francis. At the same time, down in Philadelphia, Nicholas and Haslett Nelson, two handsome Civil War veterans and rare book dealers, have also been corresponding with Francis, who has promised them access to an Austen artifact that could change their lives forever. Together, the Stevensons and the Nelsons—accompanied by an outlandish and somewhat befuddling cast of literary characters, including the likes of Louisa May Alcott—make their way across the ocean to England. The story that unfolds here moves at a rapid-fire pace and is convoluted at best. The result lacks the emotional depth and wit of the Austen novels it's paying homage to, and will leave readers struggling to connect.
A rushed and emotionally flat story.Pub Date: May 6, 2025
ISBN: 9781250349590
Page Count: 320
Publisher: St. Martin's
Review Posted Online: April 4, 2025
Kirkus Reviews Issue: May 1, 2025
BOOK REVIEW
BOOK REVIEW
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