An eye-opening look at the controversial and highly publicized death that led to major revisions in the punishing schedules that doctors-in-training once faced. Eighteen-year-old Libby Zion died on March 4, 1994, just hours after being brought to the emergency room of New York Hospital with a mystifying range of symptoms; the exact cause of her death has never been determined. Her father, combative journalist Sidney Zion, embarked on a 10-year campaignif not a vendettato bring New York Hospital and its doctors to justice. What happened in those few hours Libby spent in one of the country's leading medical centers? Robins (Alien Ink, 1992, etc.) does a masterful job of sorting through the complex maze of conflicting memories and opinions about Libby's strange symptoms, what they meant, and whether she received appropriate care. The author's thorough reporting reveals more than enough blame to go around and gives context to the unusual jury decision that apportioned responsibility equally between Libby and the defendants for her death. But the real culprit for Robins is what she calls medicine's dark secret, the ``closed order book'' system that gives relatively inexperienced, overworked residents and interns the primary responsibility for hospitalized patients, with little or no supervision. Robins's revelations here are important, indeed shocking; but she is most affecting in limning her portrait of gentle, bright, creative Libby. The underlying tragedy of Libby's death is the distance separating parents and children, and the self-delusion of Sidney Zion, who thought he knew his daughter (``She was my confidante . . . my buddy'') but failed to see that this teenager was drowning in a slough of despair, medicating herself with a medley of drugs that probably contributed to her death. Robins elucidates a human as well as a medical disaster in a page-turning read about life, death, justice, and responsibility. (16 pages b&w photos, not seen)
Pub Date: Sept. 15, 1995
ISBN: 0-385-30809-4
Page Count: 352
Publisher: Delacorte
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1995
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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