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THE GIRL WHO DIED TWICE

EVERY PATIENT'S NIGHTMARE: THE LIBBY ZION CASE AND THE HIDDEN HAZARDS OF HOSPITALS

An eye-opening look at the controversial and highly publicized death that led to major revisions in the punishing schedules that doctors-in-training once faced. Eighteen-year-old Libby Zion died on March 4, 1994, just hours after being brought to the emergency room of New York Hospital with a mystifying range of symptoms; the exact cause of her death has never been determined. Her father, combative journalist Sidney Zion, embarked on a 10-year campaignif not a vendettato bring New York Hospital and its doctors to justice. What happened in those few hours Libby spent in one of the country's leading medical centers? Robins (Alien Ink, 1992, etc.) does a masterful job of sorting through the complex maze of conflicting memories and opinions about Libby's strange symptoms, what they meant, and whether she received appropriate care. The author's thorough reporting reveals more than enough blame to go around and gives context to the unusual jury decision that apportioned responsibility equally between Libby and the defendants for her death. But the real culprit for Robins is what she calls medicine's dark secret, the ``closed order book'' system that gives relatively inexperienced, overworked residents and interns the primary responsibility for hospitalized patients, with little or no supervision. Robins's revelations here are important, indeed shocking; but she is most affecting in limning her portrait of gentle, bright, creative Libby. The underlying tragedy of Libby's death is the distance separating parents and children, and the self-delusion of Sidney Zion, who thought he knew his daughter (``She was my confidante . . . my buddy'') but failed to see that this teenager was drowning in a slough of despair, medicating herself with a medley of drugs that probably contributed to her death. Robins elucidates a human as well as a medical disaster in a page-turning read about life, death, justice, and responsibility. (16 pages b&w photos, not seen)

Pub Date: Sept. 15, 1995

ISBN: 0-385-30809-4

Page Count: 352

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1995

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DYLAN GOES ELECTRIC!

NEWPORT, SEEGER, DYLAN, AND THE NIGHT THAT SPLIT THE SIXTIES

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...

Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.

The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.

An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.

Pub Date: July 25, 2015

ISBN: 978-0-06-236668-9

Page Count: 368

Publisher: Dey Street/HarperCollins

Review Posted Online: May 15, 2015

Kirkus Reviews Issue: June 1, 2015

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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