Valuable insights into the work of a biographer and the lives of her subjects.
A book offers a diverse collection of memories and advice about a career as a biographer.
Bober (Papa Is a Poet, 2013, etc.) began writing while bedridden with illness. She’d studied poetry in college and decided to attempt a biography of William Wordsworth. This endeavor launched a successful career as a researcher, historian, and biographer. In her memoir, Bober reflects on her craft and the ways her own life was shaped by it: “I often find myself describing…my life according to which biography I was writing at the time.” For her book on Wordsworth, she first read what was already published. When she’d recovered, she traveled to England and Wales. She saw Wordsworth’s school and home, his desk and original manuscripts, and walked along the Wye River where he’d composed. This pattern—Bober’s insistence on experiencing places and objects relevant to her subjects—would repeat through her eight biographies. In this sense, her memoir serves as guidebook for writers. She shows what it takes to be “a storyteller whose facts are true.” When researching Thomas Jefferson, she made arrangements to see the desk on which he drafted the Declaration of Independence; a photograph would not do. Bober also discusses the challenge of portraying a complex personality. Her chapter on artist Louise Nevelson is intriguing. The author loved Nevelson’s work but, as a devoted mother and grandmother, she could not fully comprehend the sculptor’s choice of art over family. Further, Nevelson was living when Bober was writing her biography but was not particularly forthcoming with details of her life. The author’s account of working through these challenges provides sage advice for any researcher or writer. Bober asserts that her various subjects chose her and that she aims to tell her own “adventure.” This comes through: readers see Bober evolve as a biographer—and then into a Jefferson scholar—and her love of research and writing is palpable. On the whole, however, the book remains more about her subjects, particularly in the later chapters on American history. Perhaps this is inevitable for an inveterate biographer.
Valuable insights into the work of a biographer and the lives of her subjects.Pub Date: Dec. 29, 2016
ISBN: 978-1-4787-6188-4
Page Count: -
Publisher: Outskirts Press
Review Posted Online: Feb. 23, 2017
Review Program: Kirkus Indie
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco...
Popular novelist (The Name of the Rose, 1983; Foucault's Pendulum, 1989) and notorious semiologist (at the Univ. of Bologna) Eco shows himself to be a journalist as well with this generally diverting volume of short pieces.
Eco calls these short essays diario minimo—minimal diaries—after the magazine column where he first published a series of such efforts (previously collected in Misreadings). The work presented here, much of which dates from the late '80s and early '90s, celebrates, or more often condemns, postmodern life in a style familiar to American readers. Occasional parodic fantasies in the mode of Borges or Calvino find Eco exploring the intriguing, if absurd, notion of a map in 1:1 scale, chronicling race relations in a future universe populated by humorously bizarre alien life-forms, or describing watches whose features cause one to lose track of the time. But Eco focuses on articulating his amusing complaints, analyzing our quotidian myths with light touches and lamentations that will recall Andy Rooney and Erma Bombeck—at best, an academic Mike Royko—sooner than Roland Barthes. Pieces on once-current events have been carefully excluded, but most of these essays remain essentially journalistic in their devotion to exploring contemporary life. The title piece pits Eco against an English hotel bureaucracy intent on making it difficult for him to refrigerate an expensive salmon that he has brought from Copenhagen; others mock "how-to'' essays—on fax machines and cellular telephones, for example; there are cautionary tales of encounters with Amtrak trains and Roman cabs. All have as their subtext the chaos brought in the wake of unbridled technological innovation and intercontinental travel.
While he wastes some time exposing cliches—Indians in westerns, unworthy sequels—that are cliches to expose, Eco entertains with his clever reflections and with his unique persona, the featured player in his stories.Pub Date: Oct. 1, 1994
ISBN: 0-15-100136-7
Page Count: 208
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Esposito may not tell all, but he comes close in this brutally honest, yet loyal, memoir of his days with the King. From when they met in the Army to the afternoon when he was one of the first to discover the dead body of Elvis Presley where he had collapsed from his toilet throne (Esposito was the one who raised his pajama trousers to avoid embarrassment), Presley's right-hand man was in a position to know the inside scoop. He and Oumano (Paul Newman, 1989) describe Elvis as being like a little boy who spent his wealth making himself and the people around him happy. The anecdotes are endless as this pivotal member of the ``Memphis Mafia'' comes clean on the partying Elvis's parade of girlfriends and his suitcase full of sexy videotapes and Polaroids of Priscilla (Esposito handed it to her the moment she arrived at Graceland for the funeral). Esposito tells of the Elvis who stopped passersby to give them money or gifts, who would decide suddenly that ten or so of his friends all needed Harleys to race around Bel Air, who would not flinch at buying a car for family or friends who were loyal to him, and who made an infamous visit to see President Nixon. But he also gives up the goods on the Elvis who was hopelessly self-indulgent, constantly demonstrating his dubious karate skills, buying people off with expensive gifts rather than admitting he was wrong, and finally dying a prisoner in his own bedroom, uninterested in facing new challenges and addicted to prescription drugs. Video rentals of Girls! Girls! Girls! are sure to surge so people can look for the scene in which Elvis sports an erection in his too-tight pants. While apologetic and loyalist at times, Esposito doesn't let the King off too easy. (16 pages of b&w photos, not seen) (Author tour)
Pub Date: Oct. 1, 1994
ISBN: 0-671-79507-4
Page Count: 256
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1994
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