by Natasha Yim ; illustrated by Pirkko Vainio ‧ RELEASE DATE: March 1, 2017
Deftly written but not quite traditional, a pleasing romantic story.
A loving wife is turned to stone by a merciful goddess in this story spun from a Hong Kong legend.
Although that sounds the opposite of merciful, the goddess of fishermen, Tin Hau, is trying to help Ling Yee, a young and beautiful wife whose husband has disappeared in a terrible storm. Every day, Ling Yee, with her baby strapped to her back, climbs to a promontory where she can look out over the ocean and search for her husband’s sampan. For months, the young woman with the infant keeps watch and grows sadder. Her parents seek assistance from Tin Hau, also known as goddess of the sea, and the deity finally helps—in her own way. “One day, she decided that they should mourn no more.” The goddess turns the two into a rock formation, known in Hong Kong as Amah Rock, a tourist destination to this day. Amah usually means “nanny,” someone who takes care of children, but it can also mean “mother.” In this adaptation of the tale, Yim creates “a happier ending—where the husband finds his way home to his loyal wife and son,” and Tin Hau brings Ling Yee and her child back to life. Softly toned watercolors illustrate the sad story–turned-happy with grays and blues, modulating to warm yellow, orange, and red tones in the joyful moments.
Deftly written but not quite traditional, a pleasing romantic story. (author’s note) (Picture book. 6-8)Pub Date: March 1, 2017
ISBN: 978-1-937786-65-6
Page Count: 28
Publisher: Wisdom Tales
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
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by Robert Munsch & illustrated by Dušan Petričić ‧ RELEASE DATE: Sept. 1, 2012
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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by Emma Yarlett illustrated by Emma Yarlett ‧ RELEASE DATE: Dec. 1, 2018
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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