Livelier than the typical history textbook but sillier than the many outstanding works on the Civil War available for young...
Travel with Nathan Hale back to 1861 for the famous Civil War battle between the USS Monitor and the CSS Virginia, the war’s first ironclad ships.
Unless readers have read Hale’s One Dead Spy (2012) first, they may well wonder why the famous spy Nathan Hale, hanged for espionage in 1776, is telling this future story of naval warfare during the Civil War. It turns out that Nathan Hale—the spy, not the author—was standing at the gallows when he was swallowed by a giant book of American history. He lives to tell about it and, presumably, other tales of America for future volumes of Hazardous Tales. This volume, completed prior to One Dead Spy, is a wild ride of a graphic novel, featuring not only Nathan Hale, but his hangman, a fox representing Gustavus Fox, Assistant Secretary of the Navy, and the various participants in the battle. Sketched, inked and colored in Photoshop, the two-color, frenetic volume succeeds in presenting the chaos of war. The backmatter is notable for its informative biographies of key players, a timeline, and a small but well-selected bibliography.
Livelier than the typical history textbook but sillier than the many outstanding works on the Civil War available for young readers, this will appeal to both history buffs and graphic-novel enthusiasts. (Graphic historical fiction. 8-12)Pub Date: Aug. 1, 2012
ISBN: 978-1-4197-0395-9
Page Count: 128
Publisher: Amulet/Abrams
Review Posted Online: June 12, 2012
Kirkus Reviews Issue: July 15, 2012
A painful and painfully recognizable tale of one girl’s struggle to make and keep “one good friend.” (author’s note)...
A truth-telling graphic memoir whose theme song could be Johnny Lee’s old country song “Lookin’ for Love in all the Wrong Places.”
Shannon, depicted in Pham’s clear, appealing panels as a redheaded white girl, starts kindergarten in Salt Lake City, Utah, in 1979, and her story ends just before sixth grade. Desperately longing to be in “the group” at school, Shannon suffers persistent bullying, particularly from a mean girl, Jenny, which leads to chronic stomachaches, missing school, and doctor visits. Contemporary readers will recognize behaviors indicative of obsessive-compulsive disorder, but the doctor calls it anxiety and tells Shannon to stop worrying. Instead of being a place of solace, home adds to Shannon’s stress. The middle child of five, she suffers abuse from her oldest sibling, Wendy, whom Pham often portrays as a fierce, gigantic bear and whom readers see their mother worrying about from the beginning. The protagonist’s faith (presented as generically Christian) surfaces overtly a few times but mostly seems to provide a moral compass for Shannon as she negotiates these complicated relationships. This episodic story sometimes sticks too close to the truth for comfort, but readers will appreciate Shannon’s fantastic imagination that lightens her tough journey toward courage and self-acceptance.
A painful and painfully recognizable tale of one girl’s struggle to make and keep “one good friend.” (author’s note) (Graphic memoir. 8-12)Pub Date: May 2, 2017
ISBN: 978-1-62672-416-7
Page Count: 224
Publisher: First Second
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
A striking glimpse into Chinese girlhood during the 1970s and ’80s.
Beginning with a breathtaking dream of riding a golden crane over the city of Wuhan, China, Liu Na, recounts her subsequent waking only to discover that Chairman Mao has passed away. The 3-year-old finds this difficult to process and understand, although she is soon caught up in the somber mood of the event. From there, her life unfolds in short sketches. With this intimate look at her childhood memories, Liu skillfully weaves factual tidbits into the rich tapestry of her life. In the section titled “The Four Pests,” she explains about the four pests that plague China—the rat, the fly, the mosquito and the cockroach (with an additional explanation of how the sparrow once made this list, and why it is no longer on it)—and her stomach-turning school assignment to catch rats and deliver the severed tails to her teacher. In “Happy New Year! The Story of Nian the Monster,” she explains the origins of Chinese New Year, her favorite holiday, and her own vivid, visceral reflections of it: the sights, sounds and smells. Extraordinary and visually haunting, there will be easy comparisons to Allen Say’s Drawing from Memory (2011); think of this as the female counterpart to that work.
Beautifully drawn and quietly evocative. (glossary, timeline, author biography, translations of Chinese characters, maps) (Graphic memoir. 9-12)
Pub Date: Oct. 1, 2012
ISBN: 978-0-7613-8115-0
Page Count: 96
Publisher: Graphic Universe
Review Posted Online: April 24, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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