Lots of action and low page count should propel reluctant readers along.
Corruption is everywhere in 1870s New York City, and George Choogart wants to be the journalist who exposes it.
George arrives from England with a job offer from the New York Times and, as a test of his skills, is assigned the task of finding a story so new as to be unfamiliar to the editor. He thinks he has found it in Lew Mayflower’s Woodrat Saloon, where he goes undercover as a fighter to learn more about illegal bare-knuckle boxing matches. Politician Big Jim Dickinson finds fighters there for use in his secret and very crooked matches. Although George is in the thick of the intrigue and danger, it is female reporter Holly Quine who gets the scoop. Sacks nicely captures the chaos of the time and place and weaves a fast-paced, action-packed tale. Detailed descriptions of the brawls and bare-knuckle fights make up the bulk of the text. Several peripheral characters, while quite colorful, appear to have little purpose. In the end, George leaves New York and heads west, thus paving the way for a series of tales set in the Woodrat with new fighters and their back stories and penned by different authors. Publishing simultaneously are The Giant, by Jonathan Mary-Todd, Fighter’s Alley, by Heather Duffy Stone, and Lightning’s Run, by Gabriel Goodman.
Lots of action and low page count should propel reluctant readers along. (Historical fiction. 11-15)Pub Date: March 1, 2014
ISBN: 978-1-4677-2163-9
Page Count: 112
Publisher: Darby Creek
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre.
Survival camp? How can you not have bad feelings about that?
Sixteen-year-old nerd (or geek, but not dork) Henry Lambert has no desire to go to Strongwoods Survival Camp. His father thinks it might help Henry man up and free him of some of his odd phobias. Randy, Henry’s best friend since kindergarten, is excited at the prospect of going thanks to the camp’s promotional YouTube video, so Henry relents. When they arrive at the shabby camp in the middle of nowhere and meet the possibly insane counselor (and only staff member), Max, Henry’s bad feelings multiply. Max tries to train his five campers with a combination of carrot and stick, but the boys are not athletes, let alone survivalists. When a trio of gangsters drops in on the camp Games to try to collect the debt owed by the owner, the boys suddenly have to put their skills to the test. Too bad they don’t have any—at all. Strand’s summer-camp farce is peopled with sarcastic losers who’re chatty and wry. It’s often funny, and the gags turn in unexpected directions and would do Saturday Night Live skits proud. However, the story’s flow is hampered by an unnecessary and completely unfunny frame that takes place during the premier of the movie the boys make of their experience. The repeated intrusions bring the narrative to a screeching halt.
Without that frame, this would have been a fine addition to the wacked-out summer-camp subgenre. (Fiction. 12-14)Pub Date: March 1, 2014
ISBN: 978-1-4022-8455-7
Page Count: 256
Publisher: Sourcebooks Fire
Review Posted Online: Jan. 14, 2014
Kirkus Reviews Issue: Feb. 1, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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