Although much talent is evident in this creative pairing, the result lacks overall appeal for the picture-book crowd; save...
An engaging narrator, together with magical illustrations that often conjure surreal scenes, lets readers in on all there is to know about haunted books and how to be a good owner of one.
“Everyone has heard of haunted houses,” but “not many people know that books can be haunted too.” Book ghosts are likely “to meddle with stories and turn them upside down” or occasionally scramble the words on a page. It's important not to offend book ghosts, and their book should not be read “on the anniversary of the day the ghost first took up residence” in it. Readers “who make this mistake get sucked up into the book….” Lachenmeyer’s fantastical story comes to life in the artful hands of Ceccoli. Employing a technique that utilizes Plasticine puppets, digital photography and acrylics, she will have readers feeling as though they have entered the book ghosts’ deep, watery blue world, full of bubbles and populated by bizarre creatures such as a balloon-headed doll and swimming eyeballs. Children could be either fascinated or unsettled by the story’s premise, but few will deny the captivating quality of the pictures. Characters appear to have a lifelike sparkle in their eyes, and the transparent, ice blue ghost comes across as more mischievous than scary. The book ends on an upbeat note and with an unnecessary pop-up.
Although much talent is evident in this creative pairing, the result lacks overall appeal for the picture-book crowd; save for children with patience and a taste for the surreal. (Picture book. 4-7)Pub Date: Aug. 7, 2012
ISBN: 978-1-4169-3513-1
Page Count: 46
Publisher: Atheneum
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
Not enough tricks to make this a treat.
Another holiday title (How To Catch the Easter Bunny by Adam Wallace, illustrated by Elkerton, 2017) sticks to the popular series’ formula.
Rhyming four-line verses describe seven intrepid trick-or-treaters’ efforts to capture the witch haunting their Halloween. Rhyming roadblocks with toolbox is an acceptable stretch, but too often too many words or syllables in the lines throw off the cadence. Children familiar with earlier titles will recognize the traps set by the costume-clad kids—a pulley and box snare, a “Tunnel of Tricks.” Eventually they accept her invitation to “floss, bump, and boogie,” concluding “the dance party had hit the finale at last, / each dancing monster started to cheer! / There’s no doubt about it, we have to admit: / This witch threw the party of the year!” The kids are diverse, and their costumes are fanciful rather than scary—a unicorn, a dragon, a scarecrow, a red-haired child in a lab coat and bow tie, a wizard, and two space creatures. The monsters, goblins, ghosts, and jack-o'-lanterns, backgrounded by a turquoise and purple night sky, are sufficiently eerie. Still, there isn’t enough originality here to entice any but the most ardent fans of Halloween or the series. (This book was reviewed digitally.)
Not enough tricks to make this a treat. (Picture book. 4-7)Pub Date: Aug. 2, 2022
ISBN: 978-1-72821-035-3
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: May 10, 2022
Kirkus Reviews Issue: June 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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