Ahmed swings for the fences in this luminously intelligent, culturally magisterial debut.
A Muslim Indian family, splintered by forces from within and without, attempts to reconnect over one fateful week in San Francisco.
"Oh, Grandmother, you’re not asleep yet. The voices from the kitchen are no lullaby. Your daughters are fighting, and you blame yourself. There must have been something you could have done, before the rifts widened to such chasms." Ahmed's complex, ambitious debut is narrated by a fetus who—like his literary cousin in Ian McEwan's Nutshell—has narrative art to spare. Having just emerged from his mother's lifeless body in the delivery room, he unfolds a tragedy of classic proportions, fluently incorporating the poetry of Wordsworth, Keats, and the Quran and including masterful descriptions of the skies of San Francisco, of Muslim ritual, of LGBTQ+ protests, of Indian cooking and theater, of the volunteer organizations of then–District Attorney Kamala Harris and presidential candidates Howard Dean and Barack Obama. The story unfolds in a confusing manner, with some intent to mislead, but is essentially this: Seema, estranged from her family in India and uprooted to the U.S. when she came out as queer decades ago, briefly married Bill, a Black man. After their rancorous breakup, one instance of farewell sex led to the conception of Ishraaq (the name his mother chooses after learning he's a boy). As Ishraaq's due date draws near, Seema's mother, Nafeesa, comes from Chennai, though she is dying of cancer. Younger sister Tahera, a devout Muslim in hijab and jilbab, a mother of two and an OB/GYN, also arrives from her home in Irvine, Texas—though she is poisonously jealous of her sister and disgusted by her gay friends. Every difficulty and heartbreak takes its place alongside many others in this painful story shaped by both Islamophobia and homophobia.
Ahmed swings for the fences in this luminously intelligent, culturally magisterial debut.Pub Date: Aug. 3, 2021
ISBN: 978-1-64009-404-8
Page Count: 384
Publisher: Counterpoint
Review Posted Online: July 9, 2021
Kirkus Reviews Issue: Aug. 1, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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