ISLAND OF A THOUSAND MIRRORS

Name: ISLAND OF A THOUSAND MIRRORS
Author: Nayomi Munaweera
ISBN: 978-1-250-04393-1

by Nayomi Munaweera ‧ RELEASE DATE: Sept. 2, 2014

Compared to the expressive, deeply felt chapters about Yasodhara’s family, Munaweera’s depiction of war-torn Sri Lanka,...

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The Sri Lankan civil war’s traumatic effect on the island nation's people—and one family in particular—is the subject of this verdantly atmospheric first novel.

After a graphic post-coital prologue, Sri Lanka born California resident Munaweera begins her family saga in 1948, when the British leave their former colony Ceylon, where the Tamil majority is looked down on by the lighter-skinned Sinhala ruling class. Nishan and his twin sister, Mala—children of an ambitious Sinhala teacher and a laid-back doctor of uncertain bloodlines—leave their coastal village to attend university in Colombo. Free spirit Mala falls in love with another student and marries without traditional arranged nuptials. Nishan, an engineer, is deemed acceptable to marry aristocratic Visaka, the daughter of an Oxford-educated Sinhala judge, only because the judge’s expenditures while renovating his home shortly before his death have left his family financially strapped. Visaka’s mother has recently had to rent out the upstairs of her house, and Nishan does not know that Visaka marries him while pining for Ravan, one of her mother’s Tamil tenants. Ravan and his new wife live upstairs while Nishan and Visaka move in downstairs, where they raise daughters Yasodhara and Luxshmi. Yasodhara’s closest playmate and soul mate is Ravan’s son Shiva. The children live there in innocent bliss until 1983, when Mala’s husband is brutally murdered by an angry mob during increasing Tamil-Sinhala unrest. Nishan and Visaka react by moving to America, where their daughters soon assimilate. But after a college relationship ends badly, Yasodhara allows her parents to pick a husband for her. As Yasodhara’s marriage falls apart, successful artist Luxshmi returns to Sri Lanka to teach children wounded in the war. Meanwhile, in northern Sri Lanka, a young Timor girl is drawn into the intensifying civil war until her life’s destiny crosses those of Luxshmi and Yasodhara.

Compared to the expressive, deeply felt chapters about Yasodhara’s family, Munaweera’s depiction of war-torn Sri Lanka, though harrowing, seems rushed and journalistic, more reported than experienced.

Pub Date: Sept. 2, 2014

ISBN: 978-1-250-04393-1

Page Count: 256

Publisher: St. Martin's

Review Posted Online: July 16, 2014

Kirkus Reviews Issue: Aug. 1, 2014

Categories:

GENERAL FICTION

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TO KILL A MOCKINGBIRD

by Harper Lee ‧ RELEASE DATE: July 11, 1960

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A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

GENERAL FICTION

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

by Larry McMurtry ‧ RELEASE DATE: June 1, 1985

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This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.