A powerful debut that heralds a voice intent on being heard.
A young Turkish writer on a student visa in Berlin records her day-to-day experiences as time runs out on both her visa status and her dreams of remaking her life on her own terms.
Leyla, born in Istanbul and raised by an embittered mother and abusive, alcoholic father, is in love with Berlin. When she first visited at 21, Berlin seemed like a place where she “wouldn’t have to give up on her dreams to stay alive,” a city of vagabonds where she could write the kinds of books that get Turkish novelists thrown in prison, inoculated from childhood voices telling her what she could not do. Five years later, Leyla's master’s thesis has failed, forcing her to sue the university for readmittance or be deported back to Turkey. While she waits in bureaucratic limbo for her case to be resolved, Leyla is not allowed to either enroll in another program or take a full-time job, but must make ends meet working part time as a cleaner at an Alice in Wonderland– themed hostel. As she negotiates her destabilizing new reality—not the bold writer she feels she should have become, not the model minority able to slot her identity into the Germanic system, not the dutiful daughter her sister resents her being to their mother in Istanbul but an invisible cog at the “bottom of the immigrant hierarchy”—Leyla throws herself further into the Berlin club scene, seeking solace, or at least oblivion, in the hypnosis of all-night dancing, drugs, and casual sexual encounters. Written in journal-style entries, Koca’s debut novel keeps its pace taut without ever seeming strained or frenetic. Leyla is a witty, acutely observant, and deeply sympathetic character who manages to tell the details of her life—both the transcendent epiphanies and the debauched aftermaths—with an honesty that disavows patronizing pity. This is a book about some of the largest issues of our time—ethnic identity, national belonging, the psychological traumas of patriarchy and White supremacy, sexual ownership, feminist reckoning—but it is also, and perhaps primarily, a book about the intimacy between a character and a reader as one agrees to talk and the other agrees to listen.
A powerful debut that heralds a voice intent on being heard.Pub Date: Feb. 14, 2023
ISBN: 978-0-8021-6054-6
Page Count: 304
Publisher: Grove
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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