A powerful debut that heralds a voice intent on being heard.
A young Turkish writer on a student visa in Berlin records her day-to-day experiences as time runs out on both her visa status and her dreams of remaking her life on her own terms.
Leyla, born in Istanbul and raised by an embittered mother and abusive, alcoholic father, is in love with Berlin. When she first visited at 21, Berlin seemed like a place where she “wouldn’t have to give up on her dreams to stay alive,” a city of vagabonds where she could write the kinds of books that get Turkish novelists thrown in prison, inoculated from childhood voices telling her what she could not do. Five years later, Leyla's master’s thesis has failed, forcing her to sue the university for readmittance or be deported back to Turkey. While she waits in bureaucratic limbo for her case to be resolved, Leyla is not allowed to either enroll in another program or take a full-time job, but must make ends meet working part time as a cleaner at an Alice in Wonderland– themed hostel. As she negotiates her destabilizing new reality—not the bold writer she feels she should have become, not the model minority able to slot her identity into the Germanic system, not the dutiful daughter her sister resents her being to their mother in Istanbul but an invisible cog at the “bottom of the immigrant hierarchy”—Leyla throws herself further into the Berlin club scene, seeking solace, or at least oblivion, in the hypnosis of all-night dancing, drugs, and casual sexual encounters. Written in journal-style entries, Koca’s debut novel keeps its pace taut without ever seeming strained or frenetic. Leyla is a witty, acutely observant, and deeply sympathetic character who manages to tell the details of her life—both the transcendent epiphanies and the debauched aftermaths—with an honesty that disavows patronizing pity. This is a book about some of the largest issues of our time—ethnic identity, national belonging, the psychological traumas of patriarchy and White supremacy, sexual ownership, feminist reckoning—but it is also, and perhaps primarily, a book about the intimacy between a character and a reader as one agrees to talk and the other agrees to listen.
A powerful debut that heralds a voice intent on being heard.Pub Date: Feb. 14, 2023
ISBN: 978-0-8021-6054-6
Page Count: 304
Publisher: Grove
Review Posted Online: Nov. 28, 2022
Kirkus Reviews Issue: Dec. 15, 2022
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.
A chance meeting in a museum unlocks a long-closed door in a family’s past.
Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”
An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.Pub Date: June 2, 2026
ISBN: 9780063511637
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 6, 2026
Kirkus Reviews Issue: May 1, 2026
PERSPECTIVES
PERSPECTIVES
SEEN & HEARD
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
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