by Neal Cassady ‧ RELEASE DATE: June 15, 1993
Unlike the Beats and hippies he inspired and who enshrined him in turn (most notably as Dean Moriarity in On the Road), Cassady (1926-68) left behind few writings other than a big mess of a novel, The First Third (1971). What a pleasure for literary bohemians and their scholars alike, then, that Carolyn Cassady, the author's long-suffering wife (see her Off the Road, 1990), has released these several dozen letters that Cassady wrote to her (and to a few others) while imprisoned in California for selling a small quantity of marijuana to some narcs. The letters speak of mundane concerns but mostly of matters of the spirit (at the time, Cassady was obsessed with Christianity), and are written in the sort of linguistic frenzy and often inspired wordplay that energized Kerouac & Co.: ``My Dear Dear Carolyn: Not since we last quaffed, or is it quiffed, gardenias together has 2 hrs. 43 min. & 12 seconds passed so quickly as did that amount on our Wed. afternoon of consoling inspiration....''; ``Dearest Better Half, Whole Wife, Forever Best Love, Sweetest Sour Suffering, My Sins Carolyn Closest, Christ Comrade Ceaselessly Cheerful....'' This isn't everyone's cup of tea, of course, spiked as it is with huge dollops of self-indulgence, but it's a welcome—if relatively minor- -literary and cultural offering that some will down like elixir.
Pub Date: June 15, 1993
ISBN: 0-922233-08-X
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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