One for the legions of fans of this world.
Welcome back to the post-mortal utopia of the Arc of a Scythe series.
In the original trilogy, Shusterman posited that even a true utopia is imperfect thanks to human nature. Here, he returns to the Thunderhead’s world with a collection of shorter works that explore moments before, during, and after the end of the Scythedom. While some stories need only basic contextual knowledge of the world, most are directly related to Citra’s and Rowan’s experiences: prequel tales of teenage Scythe Marie Curie (gleaning the last corrupt politicians) and Carson Lusk (later Scythe Goddard and unpleasant from the start); stories focused on Citra’s brother, Ben, and on the sister of the first gleaning Rowan attends in Scythe (2016); and even one from the perspective of the Cirrus, the multifaceted AI offspring of the Thunderhead. The always accomplished, straightforward writing is at its best when it moves away from the larger Scythe-Thunderhead politics and instead focuses on humanity, art, and love in a world without natural or accidental death. Standouts include “The Mortal Canvas,” focused on the first (and maybe last) post-mortal artist, and the slyly humorous “Meet Cute and Die,” about the niece of a domineering and needy Scythe in Britannia.
One for the legions of fans of this world. (Science fiction. 14-adult)Pub Date: Nov. 8, 2022
ISBN: 978-1-5344-9997-3
Page Count: 432
Publisher: Simon & Schuster
Review Posted Online: Aug. 2, 2022
Kirkus Reviews Issue: Aug. 15, 2022
A character-focused entry that will satisfy fans.
Romantic complications between a trained killer and one of her captors drive this sequel to Watch Me (2025).
Appealing to readers who prefer their romantic dramas to be light on action and heavy on long passages of banter, bitter sibling arguments, and tortured reflections, Mafi continues the tale of Rosabelle Wolff, the flaxen-haired assassin from the dystopic Reestablishment, and magnetic, “impossibly stunning” James Anderson, her nemesis-turned-lover who’s still trying to take down the regime. Now desperate to accomplish several secret missions, Rosa easily escapes from one of The New Republic’s prisons, where she was left in the series opener, and, dressed in “a little kid’s cat onesie,” eludes all pursuers except for James, who can seemingly find her at will. Enigmatic Rosa responds unpredictably to many human contacts—including with violence, temporary death (one of her abilities), or a sudden panic attack. Along with the central pair of rivals and lovers, James’ older brother, Aaron, shares the narration. Bestseller Mafi tucks in several subplots, including, notably, a cameo from Juliette Ferrars, the protagonist of the original Shatter Me series, who’s undergoing a scarily difficult pregnancy. Amid the slowly simmering rising action, the author delivers a revelation and a twist that set up a potential series climax. Some ethnic diversity is present in the supporting cast.
A character-focused entry that will satisfy fans. (Dystopian. 14-adult)Pub Date: April 7, 2026
ISBN: 9780063419056
Page Count: 384
Publisher: Storytide/HarperCollins
Review Posted Online: April 7, 2026
Kirkus Reviews Issue: April 15, 2026
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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