by Neal Shusterman ‧ RELEASE DATE: June 13, 2013
Nevertheless, a highly enjoyable ride.
Teenager Antsy Bonano gets into an amazing amount of trouble while spending a week on a luxurious Caribbean cruise ship in this agreeable companion to The Schwa Was Here (2004).
Old Man Crawley, a filthy-rich irascible codger with a soft spot for his blind, 16-year-old granddaughter, Lexie, is about to turn 80. To celebrate, he invites—commands, really—Antsy and his family to join him and Lexie for a week aboard the incredibly fabulous cruise ship Plethora of the Deep. After a precise setup that neatly lays out the well-detailed characters and their situations, Antsy meets the attractive and intriguing Tilde, who claims she’s a stowaway and smuggler of illegal immigrants. Reluctantly, bighearted Antsy, who for all his smarts can’t seem to stop himself from getting involved in people’s problems, begins helping her. The comedic, larger-than-life climax showcases the interaction among social media, the legitimate press and storytelling (aka lying), giving Antsy the opportunity to prove that he has both guts and heart. The story, which has a lot going on and is full of sharp quips and amusing observations, is beautifully constructed and contains a meticulously foreshadowed yet completely surprising plot twist and, later, an unexpected reveal. For all its dazzle, though, it sometimes seems more interested in its own cleverness than in pulling readers along, and they might find themselves full of admiration at its wit and wisdom, yet rather uninvolved.
Nevertheless, a highly enjoyable ride. (Fiction. 12-18)Pub Date: June 13, 2013
ISBN: 978-0-525-42226-6
Page Count: 304
Publisher: Dutton
Review Posted Online: April 13, 2013
Kirkus Reviews Issue: May 1, 2013
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New York Times Bestseller
by Lynn Painter ‧ RELEASE DATE: May 4, 2021
Exactly what the title promises.
Awards & Accolades
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Our Verdict
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New York Times Bestseller
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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BOOK TO SCREEN
by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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