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TESLA'S ATTIC

From the Accelerati Trilogy series , Vol. 1

In Book 1 of the Accelerati Trilogy, Nick Slate cleans out his attic, holds a garage sale and changes “the very course of human existence.”

The junk in the attic of Nick’s new house seems to be a “boneyard of uselessness,” but the old toasters, electric mixers, cameras and tape recorders turn out to be lost inventions of a mad scientist, and finding them makes Nick and his friends “part of some invisible clockwork…churning its gears toward some dark, mysterious end.” The box camera foretells the future, the See ’n Say toy channels the universe, little brother Danny’s baseball glove draws stars from the sky, and a depleted wet-cell battery brings the dead to life. A posse of sinister scientists is after these objects for their own questionable ends, and if Nick’s garage sale has unleashed forces that might end the world, they also might reveal a way to head off the extinction of the human race. Lively, intelligent prose elevates this story of teenagers versus mad scientists, the third-person point of view offering a stage to various players in their play of galactic consequence. A wild tale in the spirit of Back to the Future, with a hint of Malamud’s The Natural tossed in. (Science fiction. 8-14)      

 

Pub Date: Feb. 11, 2014

ISBN: 978-1-4231-4803-6

Page Count: 256

Publisher: Disney-Hyperion

Review Posted Online: Dec. 6, 2013

Kirkus Reviews Issue: Dec. 15, 2013

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BUTT SANDWICH & TREE

Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t.

Brothers, one neurodivergent, team up to shoot baskets and find a thief.

With the coach spit-bellowing at him to play better or get out, basketball tryouts are such a disaster for 11-year-old Green that he pelts out of the gym—becoming the chief suspect to everyone except his fiercely protective older brother, Cedar, when a valuable ring vanishes from the coach’s office. Used to being misunderstood, Green is less affected by the assumption of his guilt than Cedar, whose violent reactions risk his suspension. Switching narrative duties in alternating first-person chapters, the brothers join forces to search for clues to the real thief—amassing notes, eliminating possibilities (only with reluctance does Green discard Ringwraiths from his exhaustive list of possible perps), and, on the way to an ingenious denouement, discovering several schoolmates and grown-ups who, like Cedar, see Green as his own unique self, not just another “special needs” kid. In an author’s note, King writes that he based his title characters on family members, adding an element of conviction to his portrayals of Green as a smart, unathletic tween with a wry sense of humor and of Cedar’s attachment to him as founded in real affection, not just duty. Ultimately, the author finds positive qualities to accentuate in most of the rest of the cast too, ending on a tide of apologies and fence-mendings. Cedar and Green default to White.

Slick sleuthing punctuated by action on the boards and insights into differences that matter—and those that don’t. (Fiction. 9-12)

Pub Date: Aug. 23, 2022

ISBN: 978-1-66590-261-8

Page Count: 272

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: May 9, 2022

Kirkus Reviews Issue: June 1, 2022

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THE UNADOPTABLES

Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell.

Targeted in a wicked scheme, five resourceful kids flee their orphanage in 1892 Amsterdam.

Each longs to be adopted, but would-be parents reject them when they see the kids’ atypical attributes: Lotta’s 12 fingers, Egg’s East Asian ancestry (other characters default to white), Fenna’s muteness, clumsy Sem’s ears, and Milou’s wild ferocity. That is, until sinister Meneer Rotman sees their remarkable gifts—but Milou’s special sense warns her that Rotman’s evil. Indeed: They discover he intends to buy them as slave labor to crew his ship. Milou, who keeps a Book of Theories regarding why her birth family hasn’t claimed her, persuades them to escape to the puppet-making Poppenmaker family she’s sure she belongs to. Loyal if not convinced, the others join her. Lotta’s math and Egg’s cartographic acumen help them follow coordinates on Milou’s mysterious timepiece to the Poppenmakers’ windmill home and puppet theater, now abandoned. Thanks to Lotta’s technical ingenuity, Egg’s artistry, Fenna’s culinary prowess, and Sem’s needlework—assisted by clockmaker and dike warden Edda Finkelstein—it’s almost home. Then Milou forgets the other orphans have family longings, and the orphans discover Rotman has not forgotten them….While the vivid, Dickensian setting—grim orphanage, icy mists, and shadowy dockyards—and quaint clockwork creations and life-size puppets spin a web of Gothic creepiness, the bonds among this found family of lively orphans add plenty of warmth and light.

Unfolding with the clarity of a fairy tale, this sure-footed debut casts a delightfully spooky spell. (Fantasy. 8-12)

Pub Date: June 2, 2020

ISBN: 978-0-593-11693-7

Page Count: 384

Publisher: Viking

Review Posted Online: Feb. 25, 2020

Kirkus Reviews Issue: March 15, 2020

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