Meanwhile, all those exploding planetoids make a good argument for more STEM funding. Wise, witty, utterly well-crafted...
No slim fables or nerdy novellas for Stephenson (Anathem, 2008, etc.): his visions are epic, and he requires whole worlds—and, in this case, solar systems—to accommodate them.
His latest opens with a literal bang as the moon explodes “without warning and for no apparent reason.” When the reason finally does become apparent, it’s cause to enlist steely-jawed action hero Dubois Jerome Xavier Harris, Ph.D., a scientist who makes fat bread as a TV science popularizer and sucker-up to the rich and powerful. Easy street gives way to a very rocky galactic road as Doob has to figure out why the heavens are suddenly hurling mountains of space debris at Earth in a time already fraught with human-caused difficulty. Ever the optimist, Doob puts it this way: “The good news is that the Earth is one day going to have a beautiful system of rings, just like Saturn. The bad news is that it’s going to be messy.” The solution? Get off the planet fast, set up space colonies, perpetuate the human race using turkey basters—well, a “DNA sequence stored on a thumb drive,” anyway—and multiple moms, whence the title. Stephenson takes his time doing so, layering on a perhaps not entirely necessary game of intrigue involving a sly-boots “dusky blonde” of a president. When the yarn moves into deep space thousands of years from now, however, it picks up both speed and depth, for while humans are more diverse than ever (“Each of the seven new races had embodied more than one Strain”), the gap between the haves and have-nots has widened, piles of gold and golden eyes and all. Stephenson does a fine job, à la H.G. Wells, of imaging a future in which troglodytes live just outside the titanium walls of civilization, and though the setup is an old one, he brings a fresh vision based on the latest science to the task.
Meanwhile, all those exploding planetoids make a good argument for more STEM funding. Wise, witty, utterly well-crafted science fiction.Pub Date: May 19, 2015
ISBN: 978-0-06-219037-6
Page Count: 1056
Publisher: Morrow/HarperCollins
Review Posted Online: March 1, 2015
Kirkus Reviews Issue: March 15, 2015
Sharp, funny and thrilling, with just the right amount of geekery.
When a freak dust storm brings a manned mission to Mars to an unexpected close, an astronaut who is left behind fights to stay alive. This is the first novel from software engineer Weir.
One minute, astronaut Mark Watney was with his crew, struggling to make it out of a deadly Martian dust storm and back to the ship, currently in orbit over Mars. The next minute, he was gone, blown away, with an antenna sticking out of his side. The crew knew he'd lost pressure in his suit, and they'd seen his biosigns go flat. In grave danger themselves, they made an agonizing but logical decision: Figuring Mark was dead, they took off and headed back to Earth. As it happens, though, due to a bizarre chain of events, Mark is very much alive. He wakes up some time later to find himself stranded on Mars with a limited supply of food and no way to communicate with Earth or his fellow astronauts. Luckily, Mark is a botanist as well as an astronaut. So, armed with a few potatoes, he becomes Mars' first ever farmer. From there, Mark must overcome a series of increasingly tricky mental, physical and technical challenges just to stay alive, until finally, he realizes there is just a glimmer of hope that he may actually be rescued. Weir displays a virtuosic ability to write about highly technical situations without leaving readers far behind. The result is a story that is as plausible as it is compelling. The author imbues Mark with a sharp sense of humor, which cuts the tension, sometimes a little too much—some readers may be laughing when they should be on the edges of their seats. As for Mark’s verbal style, the modern dialogue at times undermines the futuristic setting. In fact, people in the book seem not only to talk the way we do now, they also use the same technology (cellphones, computers with keyboards). This makes the story feel like it's set in an alternate present, where the only difference is that humans are sending manned flights to Mars. Still, the author’s ingenuity in finding new scrapes to put Mark in, not to mention the ingenuity in finding ways out of said scrapes, is impressive.
Sharp, funny and thrilling, with just the right amount of geekery.Pub Date: Feb. 11, 2014
ISBN: 978-0-8041-3902-1
Page Count: 368
Publisher: Crown
Review Posted Online: Dec. 7, 2013
Kirkus Reviews Issue: Dec. 15, 2013
PROFILES
SEEN & HEARD
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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