A bilingual sampler—cold of setting but warm of spirit.
An Inuit father lovingly regales his sleepy kuluit with bedtime tales of tiny people, giant polar bears, flying igluit, children born from the land rather than human mothers, and other wonders “way back then.”
Inspired by Arnaktauyok’s stippled scenes—of cozy ice shelters lit from within, figures clad in fringed and colorfully patterned hide dress, and magical arctic animals—Christopher presents a series of short folkloric episodes in Inuktitut script with English translations running below. The tales all open with the titular phrase, and they range from where caribou came from and the origins of night and day (in a quarrel between a fox and a raven) to how the loving land grew extra babies so that there would be more people and also gave an orphaned giant the sky for a home. The storyteller focuses more on wonder than drama: yes, the nanurluk were fearsome, but isn’t it marvelous that the giant polar bears were so big that they could be mistaken for icebergs? Imagine a time when sleds weren’t needed because an iglu not only provided shelter, but could fly from place to place! Several stories, such as how seals and small whales were created from the fingers of a bird spirit’s reluctant wife, are available elsewhere in fuller versions, but truncated as they are, these snippets together create a storyscape that, like the art they accompany, reflects harmonious connections with both the mythic past and the land itself.
A bilingual sampler—cold of setting but warm of spirit. (glossary/pronunciation guide, introduction) (Picture book/folk tales. 6-8)Pub Date: Nov. 1, 2015
ISBN: 978-1-7722-7021-1
Page Count: 40
Publisher: Inhabit Media
Review Posted Online: Oct. 5, 2015
Kirkus Reviews Issue: Oct. 15, 2015
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated...
The master of the manic patterned tale offers a newly buffed version of his first published book, with appropriately gloppy new illustrations.
Like the previous four iterations (orig. 1979; revised 2004, 2006, 2009), the plot remains intact through minor changes in wording: Each time young Jule Ann ventures outside in clean clothes, a nefarious mud puddle leaps out of a tree or off the roof to get her “completely all over muddy” and necessitate a vigorous parental scrubbing. Petricic gives the amorphous mud monster a particularly tarry look and texture in his scribbly, high-energy cartoon scenes. It's a formidable opponent, but the two bars of smelly soap that the resourceful child at last chucks at her attacker splatter it over the page and send it sputtering into permanent retreat.
Score one for cleanliness. Like (almost) all Munsch, funny as it stands but even better read aloud, with lots of exaggerated sound effects. (Picture book. 6-8)Pub Date: Sept. 1, 2012
ISBN: 978-1-55451-427-4
Page Count: 32
Publisher: Annick Press
Review Posted Online: Aug. 7, 2012
Kirkus Reviews Issue: Sept. 1, 2012
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Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names...
A lad finds a big red dragon in his basement and wisely seeks expert advice about its care and feeding in this epistolary episode.
Young Alexander’s missives (there are no cellphones, nor parents, in sight) are mostly paraphrased rather than shown, but each response comes as a small note folded into a pocket that’s been printed and shaped like an envelope: “Douse it in water right away!” writes panic-stricken fire chief H.Y. Drant; find it a large house or castle, advises B. East of World Animal Welfare; “fatten it up,” suggests Angus Teak the butcher (“Look forward to [eating, scratched out] meeting your dragon”) with sinister relish. Boy and dragon have wonderful times together, but the ultimate realization that dragons really don’t make good pets leads the narrator to follow the written advice of best friend Hillary (“the wisest person I knew”) and set it free. The later arrival of a slightly burned picture postcard in the “post” reassures him that the dragon won’t be forgetting to keep in touch. The human figures in Yarlett’s cartoon illustrations are either white or have their heads cut off at the page top. With the exception of the pasted-on postcard from the dragon at the end, all of the correspondence is removable and thereby losable.
Yarlett takes poor advantage of the format, as readers see only half of the correspondence, but the premise and punny names add some appeal. (Novelty. 6-8)Pub Date: Dec. 1, 2018
ISBN: 978-1-61067-818-6
Page Count: 32
Publisher: Kane Miller
Review Posted Online: Aug. 26, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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