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CAMPY

THE TWO LIVES OF ROY CAMPANELLA

A bit tendentious early on, but a sharper critical lens makes the final sections memorable and wrenching.

The author of Negro League Baseball (2004) returns with a thorough, generous biography of a Negro League star, catcher Roy “Campy” Campanella (1921–1993), who joined the Dodgers shortly after Jackie Robinson.

For many pages, Lanctot offers few negative words about Campanella. The son of a blue-collar white man and an African-American woman, he grew up when Jim Crow still reigned in the South and conditions in the North were only marginally better. As a child, he quickly fell in love with baseball, a sport his athletic gifts fitted perfectly. He had feline reactions and could run, throw, hit for power and average and handle pitchers well. But as the author ably illustrates, stardom came after long tuition. Although his gifts were so prodigious that he was playing professionally at age 15, he worked ferociously hard and played whenever and wherever he could. On the road in the Negro League (and even later), he suffered enormous indignities—denied service in restaurants, hotels and other businesses—but somehow retained an ebullience that Lanctot highlights throughout. His teammates, black and white, liked and admired him—though the author focuses on Campy’s deteriorating relationship with Jackie Robinson, a tension Lanctot attributes to differences in education (Robinson attended college) and in impatience with the pace of the civil-rights movement (Campy took a long time to become more assertive politically). Competition was also a major factor, since both men enjoyed celebrity and adulation. Lanctot, pricking any balloons of legend floating over Campy, continually mentions cases of inconsistency between the legends and the historical record. Painful reading, indeed, are the many pages Lanctot devotes to Campy’s car accident (it left him a quadriplegic) and the arduous, stressful, depressing aftermath.

A bit tendentious early on, but a sharper critical lens makes the final sections memorable and wrenching.

Pub Date: March 8, 2011

ISBN: 978-1-4165-4704-4

Page Count: 560

Publisher: Simon & Schuster

Review Posted Online: Feb. 1, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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