by Neil Lanctot ‧ RELEASE DATE: March 8, 2011
A bit tendentious early on, but a sharper critical lens makes the final sections memorable and wrenching.
The author of Negro League Baseball (2004) returns with a thorough, generous biography of a Negro League star, catcher Roy “Campy” Campanella (1921–1993), who joined the Dodgers shortly after Jackie Robinson.
For many pages, Lanctot offers few negative words about Campanella. The son of a blue-collar white man and an African-American woman, he grew up when Jim Crow still reigned in the South and conditions in the North were only marginally better. As a child, he quickly fell in love with baseball, a sport his athletic gifts fitted perfectly. He had feline reactions and could run, throw, hit for power and average and handle pitchers well. But as the author ably illustrates, stardom came after long tuition. Although his gifts were so prodigious that he was playing professionally at age 15, he worked ferociously hard and played whenever and wherever he could. On the road in the Negro League (and even later), he suffered enormous indignities—denied service in restaurants, hotels and other businesses—but somehow retained an ebullience that Lanctot highlights throughout. His teammates, black and white, liked and admired him—though the author focuses on Campy’s deteriorating relationship with Jackie Robinson, a tension Lanctot attributes to differences in education (Robinson attended college) and in impatience with the pace of the civil-rights movement (Campy took a long time to become more assertive politically). Competition was also a major factor, since both men enjoyed celebrity and adulation. Lanctot, pricking any balloons of legend floating over Campy, continually mentions cases of inconsistency between the legends and the historical record. Painful reading, indeed, are the many pages Lanctot devotes to Campy’s car accident (it left him a quadriplegic) and the arduous, stressful, depressing aftermath.
A bit tendentious early on, but a sharper critical lens makes the final sections memorable and wrenching.Pub Date: March 8, 2011
ISBN: 978-1-4165-4704-4
Page Count: 560
Publisher: Simon & Schuster
Review Posted Online: Feb. 1, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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by Neil Lanctot
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Reyna Grande ‧ RELEASE DATE: Aug. 28, 2012
A standout immigrant coming-of-age story.
In her first nonfiction book, novelist Grande (Dancing with Butterflies, 2009, etc.) delves into her family’s cycle of separation and reunification.
Raised in poverty so severe that spaghetti reminded her of the tapeworms endemic to children in her Mexican hometown, the author is her family’s only college graduate and writer, whose honors include an American Book Award and International Latino Book Award. Though she was too young to remember her father when he entered the United States illegally seeking money to improve life for his family, she idolized him from afar. However, she also blamed him for taking away her mother after he sent for her when the author was not yet 5 years old. Though she emulated her sister, she ultimately answered to herself, and both siblings constantly sought affirmation of their parents’ love, whether they were present or not. When one caused disappointment, the siblings focused their hopes on the other. These contradictions prove to be the narrator’s hallmarks, as she consistently displays a fierce willingness to ask tough questions, accept startling answers, and candidly render emotional and physical violence. Even as a girl, Grande understood the redemptive power of language to define—in the U.S., her name’s literal translation, “big queen,” led to ridicule from other children—and to complicate. In spelling class, when a teacher used the sentence “my mamá loves me” (mi mamá me ama), Grande decided to “rearrange the words so that they formed a question: ¿Me ama mi mamá? Does my mama love me?”
A standout immigrant coming-of-age story.Pub Date: Aug. 28, 2012
ISBN: 978-1-4516-6177-4
Page Count: 320
Publisher: Atria
Review Posted Online: June 11, 2012
Kirkus Reviews Issue: July 1, 2012
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by Joshua Davis ; adapted by Reyna Grande
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edited by Reyna Grande & Sonia Guiñansaca
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