From the pair behind Singing America (1995), a gathering of a century's worth of stories that defy well-known European fairy tale conventions. In an impassioned afterword, Philip writes, ``One of the defining themes of the American fairy tale is this sense that ordinary life is something the fairy tale hero must learn to value and enjoy, rather than something from which he must escape.'' He includes works by writers such as L. Frank Baum, Nathaniel Hawthorne, and Louisa May Alcott, as well as lesser-knowns (Ruth Plumly Thompson and the anonymous M.S.B., among them), who penetrated the heart of American culture by creating characters who relied on inner strength and discovery rather than other-worldly magic. Glass slippers, castles, and class differences aside, Washington Irving, Howard Pyle, and Carl Sandburg remythologized the traditional stories by asserting that the challenge and bounty of America provided more than enough setting and inspiration. Whether readers recall these stories from English classes or discover them anew, they will see in the texts the promise and potential of an untarnished America. McCurdy's precise black-and- white woodcuts perfectly capture the idiomatic spirit of stories from Kansas to Kalamazoo to Rootabaga Country, and help Philip make the case for the genre that other collections have danced around without naming, the American fairy tale. With a preface by Alison Lurie. (Fiction. 10+)
Pub Date: Nov. 2, 1996
ISBN: 0-7868-0207-3
Page Count: 160
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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