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COMPLETE AND UTTER FAILURE

Name: COMPLETE AND UTTER FAILURE
Author: Neil Steinberg
ISBN: 0-385-47291-9

A CELEBRATION OF ALSO-RANS, RUNNERS-UP, NEVER-WERES, AND TOTAL FLOPS

by Neil Steinberg ‧ RELEASE DATE: Nov. 1, 1994

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Readers expecting an antic appreciation of laughingstocks through the ages will be justifiably disappointed by this wry, selective, and self-absorbed compilation. Steinberg, a reporter at the Chicago Sun-Times, offers seriocomic perspectives on would-be winners consigned to history's dustbin by virtue of their second-best or unavailing efforts to reach their objectives. Cases in point range from the unsung mountaineers who stopped short of Everest's peak through Elisha Gray (whose telephone patent application was filed hours after Alexander Graham Bell's); prodigies who outlived their youthful achievements (Isaac Newton, Charles Darwin, Orson Welles, Thomas Pynchon, Michael Jackson, et al.); and commercial products that proved to be drugs on the market (butane candles, Corfam shoes, the Edsel, SelectaVision, the smokeless cigarette). Covered as well are impossible dreams like cold fusion and perpetual-motion machines, as well as the 1993 National Spelling Bee, which produced nearly 9 million losers. While combing the Global Village's archives for evidence of ill-fated institutions and individuals, the 34-year-old author gives himself almost equal time. Indeed, Steinberg's consciously rueful accounts of his own life and career amount to a stealth autobiography. In certain instances (e.g., when he recalls climbing the television tower of the Windy City's John Hancock Building on assignment for his newspaper), the personal recollections afford a resonant point of reference for briefings on the hapless ones who could not make it up some slippery slope or other. On balance, unfortunately, the author's inch-deep reflections on his own experiences do precious little to complement, let alone illuminate, discursive takes on the forgotten strivers whose setbacks have helped define success. Droll rather than hilarious, and more elegiac than celebratory: a dispensable example of vaulting ambition that o'erleaps itself. (First serial to Granta; Quality Paperback Book Club selection)

Pub Date: Nov. 1, 1994

ISBN: 0-385-47291-9

Page Count: 208

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 1994

Categories:

GENERAL NONFICTION

- BOOK REVIEW
DRUNKARD
by Neil Steinberg

- BOOK REVIEW
THE ALPHABET OF MODERN ANNOYANCES
by Neil Steinberg

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.