World folktale collections should welcome this beautifully illustrated volume.

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ANIMAL VILLAGE

A group of animals tries working together to save a village in this picture book based on an African story.

In West Africa, there is a peaceful village of only animals, ruled by Chief Zamboha, the lion. But one year, their tranquility is interrupted by a drought that lasts long past the dry season. Zamboha asks all the creatures for ideas, and tortoise Timba tells the group about a tale from their ancestors that said water could be found by digging. While the community is skeptical, Zamboha supports Timba, and the animals begin to dig. They dig for days and days, and finally they grow tired and doubt the tortoise’s supposed wisdom. Faced with a rebellion, Zamboha watches helplessly as the villagers tell Timba to leave. Although the tortoise is determined to never go back, she pauses near a dry riverbed and decides to dig once more. Soon she finds water, and, despite the rejection of her cohorts, she returns to share it with them. Overjoyed, the animals make her their chief. LaTeef (The Hunter and the Ebony Tree, 2002, etc.) skillfully captures the folktale’s flavor, using repeated refrains—especially Timba’s “everything is possible, by and by”—to reinforce the story’s themes. While the message is powerful, it’s the acrylic, India ink, and collage images that will command children’s attention. The collage aspect gives the animals depth and texture, and the contrast of the earth tones with the bright blue water is stunning. LaTeef is an author/illustrator to watch.

World folktale collections should welcome this beautifully illustrated volume.

Pub Date: Jan. 7, 2018

ISBN: 978-9988-647-46-9

Page Count: 36

Publisher: Sub-Saharan Publishers

Review Posted Online: March 15, 2018

Kirkus Reviews Issue: May 1, 2018

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THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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A rollicking tale of rivalry.

IT HAPPENED ON SWEET STREET

Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.

First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.

A rollicking tale of rivalry. (Picture book. 4-8 )

Pub Date: July 7, 2020

ISBN: 978-1-101-91885-2

Page Count: 44

Publisher: Tundra Books

Review Posted Online: April 8, 2020

Kirkus Reviews Issue: May 1, 2020

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