A disquieting, edgy, and engrossing embrace of the rewards of sobriety.
Alcoholism and mental illness roil a Wisconsin clan in this memoir about childhood abuse, family dysfunction, and the rocky road to recovery.
Branson begins her book with a dramatic event. She was a nurse engaged in a casual sexual encounter with “Dr. Joe” when her boyfriend, Michael, unexpectedly arrived at her apartment. Violence ensued, and the police were called. By the end of the chapter, readers learn the author and Michael reconciled and eventually married. Now, back to the beginning: Branson, her parents’ second child, was born in Eau Claire, Wisconsin, in July 1959. Her father was the superintendent of schools. Her young, sociable parents threw many parties at their house, with attendees usually being faculty members. One teacher, Jeffry, left Branson, still a young child, with a permanent psychological scar. According to the author, he assaulted her sexually in her bedroom during one of the parties. The incident was never discussed in the family, although Branson began drawing sexually explicit pictures (for which she was reprimanded). She acerbically describes the life lessons she learned from her family: “If someone behaves inappropriately, pretend it never happened; Bury emotions; do not attempt to communicate them; Be sneaky—it pays off; No matter what happens, act like everything is fine; When in emotional pain, drink alcohol.” Later, the author added the occasional line of cocaine. Genetically predisposed to alcoholism, she had an additional challenge: “I was born with a significant brain disorder. The mesolimbic pathway in my brain was not formed correctly at birth. This is the area of my brain that has to do with pleasure and mood regulation.” Branson does not make clear how or when she was diagnosed, but she personified this disorder by giving it a name: “Glinda.” Her articulate memoir is the disturbing tale of how she served Glinda by behaving recklessly and how she was sometimes able to keep her at bay. Readers will likely breathe a sigh of relief when the author recounts that she finally acknowledged her alcoholism (in 2003) and took new responsibility for her own life, including the mistakes and victories.
A disquieting, edgy, and engrossing embrace of the rewards of sobriety.Pub Date: Aug. 15, 2017
ISBN: 978-1-5255-0866-0
Page Count: 228
Publisher: FriesenPress
Review Posted Online: April 5, 2021
Review Program: Kirkus Indie
BOOK REVIEW
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier...
A moving record of Didion’s effort to survive the death of her husband and the near-fatal illness of her only daughter.
In late December 2003, Didion (Where I Was From, 2003, etc.) saw her daughter, Quintana Roo Dunne, hospitalized with a severe case of pneumonia, the lingering effects of which would threaten the young woman’s life for several months to come. As her daughter struggled in a New York ICU, Didion’s husband, John Gregory Dunne, suffered a massive heart attack and died on the night of December 30, 2003. For 40 years, Didion and Dunne shared their lives and work in a marriage of remarkable intimacy and endurance. In the wake of Dunne’s death, Didion found herself unable to accept her loss. By “magical thinking,” Didion refers to the ruses of self-deception through which the bereaved seek to shield themselves from grief—being unwilling, for example, to donate a dead husband’s clothes because of the tacit awareness that it would mean acknowledging his final departure. As a poignant and ultimately doomed effort to deny reality through fiction, that magical thinking has much in common with the delusions Didion has chronicled in her several previous collections of essays. But perhaps because it is a work of such intense personal emotion, this memoir lacks the mordant bite of her earlier work. In the classics Slouching Toward Bethlehem (1968) and The White Album (1979), Didion linked her personal anxieties to her withering dissection of a misguided culture prey to its own self-gratifying fantasies. This latest work concentrates almost entirely on the author’s personal suffering and confusion—even her husband and daughter make but fleeting appearances—without connecting them to the larger public delusions that have been her special terrain.
A potent depiction of grief, but also a book lacking the originality and acerbic prose that distinguished Didion’s earlier writing.Pub Date: Oct. 19, 2005
ISBN: 1-4000-4314-X
Page Count: 192
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
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SEEN & HEARD
A unique, incandescent memoir.
A lyrical, soul-stirring memoir about how an acclaimed Native American poet and musician came to embrace “the spirit of poetry.”
For Harjo, life did not begin at birth. She came into the world as an already-living spirit with the goal to release “the voices, songs, and stories” she carried with her from the “ancestor realm.” On Earth, she was the daughter of a half-Cherokee mother and a Creek father who made their home in Tulsa, Okla. Her father's alcoholism and volcanic temper eventually drove Harjo's mother and her children out of the family home. At first, the man who became the author’s stepfather “sang songs and smiled with his eyes,” but he soon revealed himself to be abusive and controlling. Harjo's primary way of escaping “the darkness that plagued the house and our family” was through drawing and music, two interests that allowed her to leave Oklahoma and pursue her high school education at the Institute of American Indian Arts in Santa Fe. Interaction with her classmates enlightened her to the fact that modern Native American culture and history had been shaped by “colonization and dehumanization.” An education and raised consciousness, however, did not spare Harjo from the hardships of teen pregnancy, poverty and a failed first marriage, but hard work and luck gained her admittance to the University of New Mexico, where she met a man whose “poetry opened one of the doors in my heart that had been closed since childhood.” But his hard-drinking ways wrecked their marriage and nearly destroyed Harjo. Faced with the choice of submitting to despair or becoming “crazy brave,” she found the courage to reclaim a lost spirituality as well as the “intricate and metaphorical language of my ancestors.”
A unique, incandescent memoir.Pub Date: July 9, 2012
ISBN: 978-0-393-07346-1
Page Count: 208
Publisher: Norton
Review Posted Online: April 29, 2012
Kirkus Reviews Issue: May 15, 2012
SEEN & HEARD
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