by Nelson DeMille ‧ RELEASE DATE: Jan. 29, 2002
Bloated but bouncy, bound for big sales.
DeMille’s biggest yet deserves high points for entertainment and readability, though nothing of his has been as moving or richly written as 1990’s The Gold Coast.
Up Country is a sequel to The General’s Daughter (1992), filmed with John Travolta as DeMille’s Army homicide detective Paul Brenner. Despite DeMille liking the film, it stuck closely to his plot and was a gloomy dud. Though lighter in tone, Up Country also turns on a bloody central event and an imponderable moral problem: Brenner’s old boss Colonel K. Karl Hellman, head of the Criminal Investigation Division, calls the retired Chief Warrant Officer Brenner back in for a special op. Brenner’s sent back to Vietnam, where he did two tours during the war (as did Lt. Nelson DeMille), to look into a murder that took place 30 years ago. A Vietnamese soldier wrote a letter to his brother, later recovered by the CID, that told of an American captain shooting a fellow lieutenant in the Treasury Building within the Citadel in Quan Tri City, then looting the treasury’s safe. This monster later ran a black market that rewarded him with big money. Colonel Hellman actually knows who this captain is, but wants Brenner to investigate cold and see what he can find out as hard evidence for a military trial. Brenner lands in Saigon and falls in with Susan Weber, a businesswoman who sticks to him throughout his investigation and is, of course, far more deadly than she seems. This gives DeMille a chance to warm up his earlier fancy sophisticated dialogue between Brenner and CID rape investigator Cynthia Sunhill from The General’s Daughter, although Susan, while mysterious, sexy and dangerous, turns out to be a less ingenious foil than Cynthia throughout several hundred pages of two-person dialogue that only too often rehashes what we already know. The climax lands Brenner in the same hot water that got him retired/fired.
Bloated but bouncy, bound for big sales.Pub Date: Jan. 29, 2002
ISBN: 0-446-54657-0
Page Count: 700
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2001
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: July 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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