A clear-eyed look back at a puzzling time, unclouded by bitterness or nostalgia.
Detailed, surprising account of black America’s transformations in the 1980s.
Critic/novelist George (Hip Hop America, 1998, etc.) posits that those years represent a transitional departure from clear-cut triumphs of the black American “soul era” (embodied by the civil-rights struggle and epochal figures like James Brown), during which opportunities for blacks greatly expanded despite a troubling backdrop of urban decay and inter- and intra-racial strife. “The post-soul years have witnessed an unprecedented acceptance of black people in the public life of America,” he writes, but “all that progress has not been as beneficial to the black masses as was anticipated in the ’60s.” In informative, tightly controlled entries, George attempts a comprehensive portrait of an increasingly amorphous black community, focusing primarily on political and cultural figures. The career arcs of Oprah Winfrey, Spike Lee, Michael Jordan, Clarence Thomas, Mike Tyson, Eddie Murphy, and others are scrutinized for their substantial effects on the mainstream. Politically, George portrays the decade as a holding action. Unprecedented numbers of African-Americans held elected office, and outsiders like Jesse Jackson and Louis Farrakhan coalesced an increasing political potency within the black community, but the policies of Ronald Reagan’s White House were consistently (if subtly) hostile towards that community, while urban law enforcement became increasingly militarized in its response to black youth gangs. Culturally, George is on firm ground exploring what critics like Greg Tate perceived as a “generational change in black art.” Toni Morrison and other women writers created controversy with their depictions of black male aggression; such artists as Jean-Michel Basquiat and musicians like Vernon Reid pursued seductively assimilationist projects; and rappers beginning with Run-DMC stealthily usurped rock’s commercial power. Ultimately, George’s compact entries discern a poignant conflict within this chronology of the African-American ’80s: although many blacks achieved economic gains and constructed their own formidable cultural infrastructure, countless others were cruelly buffeted by Reaganite policies and the scourges of violence, AIDS, and crack.
A clear-eyed look back at a puzzling time, unclouded by bitterness or nostalgia.Pub Date: Jan. 12, 2004
ISBN: 0-670-03275-1
Page Count: 240
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
