Briskly narrating his uncommon story with verve and passion, Peery leaves readers ready for further installments of his...
Thoughtful memoir of an African-American World War II veteran turned communist in red-baiting Jim Crowe America.
In 1946, Peery (Black Fire, 1994) returned from his all-Black infantry combat unit to find the freedoms he fought for abroad denied to him at home. Unable to accept discrimination and eager to channel his military experiences into collective action, he was inexorably drawn to communism. Before long, this card-carrying comrade abandoned his university education to join the bricklayer’s union, his girl to a life on the road and his family when the FBI dragnet tightened around the Party. Peery telescopes his ideological evolution through global, national and personal events, displaying an uncanny knack for being in the thick of things along the way. Stage-managing a meeting between the Blues singer Leadbelly and the Archbishop of Canterbury, sharing a room with a Scottsboro boy on the lam, tipping Harlem preachers off to the efficacy of soapbox sermonizing, rushing his pregnant wife through the Watts Riots—Peery is a born raconteur who nimbly slides from amusing anecdote to intellectualized explanations to seething righteous anger. Clear-eyed and pragmatic, he also carefully recounts Party rifts over race and gender, and betrayals within the black community as some ascended the socio-economic ladder. Although friendships falter, marriages disintegrate and Party leaders succumb to the seductions of power, his commitment to erasing inequality through Communism remains impressively unwavering. The memoir spans just 20 years of his life, so if Peery’s beliefs were tempered by subsequent events, he doesn’t reveal his hand here. He does, however, paint a vivid portrait of the horrors inflicted upon African-Americans during the post-war years. The book ends abruptly, albeit heartbreakingly, in 1966, in a room filled with the keening moans of a bereaved mother, mourning the brutal death-by-police of yet another unarmed black man.
Briskly narrating his uncommon story with verve and passion, Peery leaves readers ready for further installments of his fascinating life.Pub Date: Aug. 1, 2007
ISBN: 978-1-59558-145-7
Page Count: 256
Publisher: The New Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2007
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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