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TRUSTEE FROM THE TOOLROOM

Keith Stewart, a toolroom fitter who had given up his factory job to devote himself to his hobby of miniature machines and to writing about them in a magazine that made friends for him around the world, recalls somewhat the colorless little Mr. Honey of No Highway. And when it came to the challenge that pulled him up by the roots and sent him off to a coral reef in the far Pacific, Keith proved as intrepid and determined as Mr. Honey did in his adventure. Keith had been appointed sole trustee for his brother-in-law's presumably large estate and only child. But when his sister and her husband were wrecked off Tahiti, only Keith had a clue as to what had happened to that estate- converted as it had been into 27 thousand pounds in diamonds. Keith's means were less than meagre; his ill-paid magazine job was at stake; his wife- and the child they now knew was virtually their own-had nothing to fall back on if Keith, too, perished. But despite naive ignorance of the world outside the shabby London suburb where they lived, Keith and his wife knew that he must go and try to reclaim the child's inheritance. And Keith's sheer childlike audacity achieves what a more expert world traveler could never have done. He reaches his goal after a succession of incredible adventures made wholly credible; he wins- and finds- friends everywhere; and he returns having lived up to his trusteeship in the best possible way. A fast paced plot, a lovable character, and a kind of warmth and charm pervade the story. Better written than many of Shute's books- with a kind of sure maturity that is new to him. His recent death- and the choice of this last book by the Book-of-the-Month insure a more than customary receptivity.

Pub Date: March 30, 1960

ISBN: 0892440163

Page Count: 311

Publisher: Morrow/HarperCollins

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: March 1, 1960

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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