edited by The New Yorker ‧ RELEASE DATE: May 6, 2014
An absolute treat. Hopefully, the New Yorker will continue to publish such anthologies on other decades.
Make room on the bookshelf. The New Yorker’s look at 1940s history, culture, literature and civilization is a book to be read, reread and savored.
Divided into seven sections—The War, American Scenes, Postwar, Character Studies, The Critics, Poetry and Fiction—this book shows how founder Harold Ross (1892-1951) could single out the most important aspects of history and culture—and not just of New York, but of the country. As a further bonus, each of the sections features an introduction from a contemporary writer; these include George Packer, Zadie Smith, Susan Orlean, David Denby and Louis Menand. After the war, the magazine, toning down its New York–centric stance, experienced a journalistic awakening. In this book, the editors begin each section with a short explanation of the genre followed by “Notes and Comments” by the eternally delightful personification of the New Yorker, E.B. White. Readers are certain to enjoy the beautiful writing, clever thinking and insightful thoughts across a vast range of topics. To choose an article, poem or short story from this great wealth of writing is beyond difficult: There is Lillian Ross’ indictment of the House Un-American Activities Committee; Joseph Mitchell’s article on McSorley’s Old Ale house, the oldest Irish tavern in New York City; Richard O. Boyer’s profile of Duke Ellington, who took jazz from New Orleans bawdy houses to Paris and beyond; and E.J. Kahn’s hagiographic profile of the widowed Eleanor Roosevelt. Don’t look for cartoons—they’ve had enough coffee-table books of their own; this is the soul of the New Yorker. An abbreviated list of the contributors includes such luminaries as Edmund Wilson, Rebecca West, A.J. Liebling, George Orwell, W.H. Auden, John Hersey, Langston Hughes, Carson McCullers and William Maxwell.
An absolute treat. Hopefully, the New Yorker will continue to publish such anthologies on other decades.Pub Date: May 6, 2014
ISBN: 978-0-679-64479-8
Page Count: 720
Publisher: Random House
Review Posted Online: April 1, 2014
Kirkus Reviews Issue: April 15, 2014
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by The New Yorker edited by Henry Finder
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by Mike Rowe ‧ RELEASE DATE: Oct. 15, 2019
Never especially challenging or provocative but pleasant enough light reading.
Former Dirty Jobs star Rowe serves up a few dozen brief human-interest stories.
Building on his popular podcast, the author “tells some true stories you probably don’t know, about some famous people you probably do.” Some of those stories, he allows, have been subject to correction, just as on his TV show he was “corrected on windmills and oil derricks, coal mines and construction sites, frack tanks, pig farms, slime lines, and lumber mills.” Still, it’s clear that he takes pains to get things right even if he’s not above a few too-obvious groaners, writing about erections (of skyscrapers, that is, and, less elegantly, of pigs) here and Joan Rivers (“the Bonnie Parker of comedy”) there, working the likes of Bob Dylan, William Randolph Hearst, and John Wayne into the discourse. The most charming pieces play on Rowe’s own foibles. In one, he writes of having taken a soft job as a “caretaker”—in quotes—of a country estate with few clear lines of responsibility save, as he reveals, humoring the resident ghost. As the author notes on his website, being a TV host gave him great skills in “talking for long periods without saying anything of substance,” and some of his stories are more filler than compelling narrative. In others, though, he digs deeper, as when he writes of Jason Everman, a rock guitarist who walked away from two spectacularly successful bands (Nirvana and Soundgarden) in order to serve as a special forces operative: “If you thought that Pete Best blew his chance with the Beatles, consider this: the first band Jason bungled sold 30 million records in a single year.” Speaking of rock stars, Rowe does a good job with the oft-repeated matter of Charlie Manson’s brief career as a songwriter: “No one can say if having his song stolen by the Beach Boys pushed Charlie over the edge,” writes the author, but it can’t have helped.
Never especially challenging or provocative but pleasant enough light reading.Pub Date: Oct. 15, 2019
ISBN: 978-1-982130-85-5
Page Count: 224
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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by Chester Nez with Judith Schiess Avila ‧ RELEASE DATE: Sept. 6, 2011
A unique, inspiring story by a member of the Greatest Generation.
A firsthand account of how the Navajo language was used to help defeat the Japanese in World War II.
At the age of 17, Nez (an English name assigned to him in kindergarten) volunteered for the Marines just months after the bombing of Pearl Harbor. Growing up in a traditional Navajo community, he became fluent in English, his second language, in government-run boarding schools. The author writes that he wanted to serve his country and explore “the possibilities and opportunities offered out there in the larger world.” Because he was bilingual, he was one of the original 29 “code talkers” selected to develop a secret, unbreakable code based on the Navajo language, which was to be used for battlefield military communications on the Pacific front. Because the Navajo language is tonal and unwritten, it is extremely difficult for a non-native speaker to learn. The code created an alphabet based on English words such as ant for “A,” which were then translated into its Navajo equivalent. On the battlefield, Navajo code talkers would use voice transmissions over the radio, spoken in Navajo to convey secret information. Nez writes movingly about the hard-fought battles waged by the Marines to recapture Guadalcanal, Iwo Jima and others, in which he and his fellow code talkers played a crucial role. He situates his wartime experiences in the context of his life before the war, growing up on a sheep farm, and after when he worked for the VA and raised a family in New Mexico. Although he had hoped to make his family proud of his wartime role, until 1968 the code was classified and he was sworn to silence. He sums up his life “as better than he could ever have expected,” and looks back with pride on the part he played in “a new, triumphant oral and written [Navajo] tradition,” his culture's contribution to victory.
A unique, inspiring story by a member of the Greatest Generation.Pub Date: Sept. 6, 2011
ISBN: 978-0-425-24423-4
Page Count: 320
Publisher: Dutton Caliber
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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