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I AM THE NIGHT SKY

...& OTHER REFLECTIONS BY MUSLIM AMERICAN YOUTH

Captivating and uplifting.

An anthology of short stories, poems, and collages by 10 American Muslim teens.

A project of the nonprofit Next Wave Muslim Initiative, this collection presents the work of young people who reflect on their experiences as members of a marginalized and misunderstood faith coming-of-age in the greater Washington, D.C., metropolitan area. Iman Ilias’ “How To Be a 14-Year-Old Paki Muslim American Girl” and Leyla Rasheed’s “Moments I Remember I’m Muslim” unpack the social pressures on Muslim teens to simultaneously fit in and retain their sense of self. “Kabob Squad Takes Down Propaganda Man: (A Concept for the TV Show I Needed as a Kid),” by Samaa Eldadah and Fatima Rafie, and “Hyphen,” a poem by Noor Saleem, both address representation and identity. Other themes explored include relationships to prayer, perceptions of the hijab, and what it’s like to be an observant Muslim guitarist navigating the American teen party scene. Readers seeking a sociological account of the persecution of American Muslims will have to look elsewhere. This volume focuses instead on the creative minds of Muslim American youths themselves, opening a window into the complexity of their lived realities as teens in today’s America. The varied text layouts, font styles, and exceptional art enhance the reading experience. The book features a foreword by Pakistani American children’s author Hena Khan. The contributors are diverse in ethnicity, race, and sect.

Captivating and uplifting. (Anthology. 12-adult)

Pub Date: May 22, 2019

ISBN: 978-1-945434-93-8

Page Count: 192

Publisher: Shout Mouse Press

Review Posted Online: Sept. 9, 2019

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VOCES SIN FRONTERAS

OUR STORIES, OUR TRUTH

Enlightening and inspiring #ownvoices accounts by young activists.

Personal accounts of 16 young Latin American immigrants told as side-by-side pen-and-ink bilingual comics.

The comic strips and accompanying short bios in Spanish and English came about through an initiative by the Latin American Youth Center in Washington, D.C. The compelling stories shared by these students, all members of the Latino Youth Leadership Council and active in the fight for social justice, signal their desire to serve as beacons or lifelines for other young immigrants. Their testimonies, as Newbery Medal winner Meg Medina (Merci Suárez Changes Gears, 2018, etc.) points out in her foreword, are ultimately about courage. The courage needed to leave behind the familiarity of their home environments—El Salvador, Cuba, Mexico, Honduras, Guatemala—is evident throughout, as the stories showcase the many reasons migrants have for coming to the U.S., including seeking better opportunities, fleeing violence, and reuniting with family after years of painful separation. The young authors don’t shy away from tough subjects: There are descriptions of grief, cultural dislocation, cutting, and a suicide attempt. The format doesn’t allow for thorough explorations of the root causes for migration, but the emphasis is on the hopeful and positive paths these young adults have forged. The editorial decision to retain “authentic student voices" in the essays means that some of the writing was not revised, and reflects the code switching and language loss that come with the disruption of lives and education.

Enlightening and inspiring #ownvoices accounts by young activists. (Graphic memoir. 14-18)

Pub Date: Sept. 25, 2018

ISBN: 978-1-945434-92-1

Page Count: 316

Publisher: Shout Mouse Press

Review Posted Online: April 21, 2019

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GERMAN CALENDAR NO DECEMBER

A worthy coming-of-age story about resilience.

Ofili’s debut teaches readers that moving forward is the only option.

Olivia Evezi wants to find her place in a world where she never wholly belongs. In her home of Warri, Nigeria, her white German immigrant mother is referred to as “Oyinbo,” and Olivia dislikes the way it marks them as different. Sent to boarding school in Lagos, she is immediately othered and treated poorly because of her mixed heritage. Her fantasies of jolly adventures are quickly dashed by the realities of oppression and hazing. Hoping to put that mistreatment behind her, she finds her way to Hamburg, Germany, to attend university. Her arrival is less than pleasant after being questioned by a customs agent and embarrassing herself on an escalator. And she quickly learns that while in Nigeria she wasn’t black enough, in Germany she isn’t white enough. Among her multiethnic co-workers at a bakery she finds a family and a purpose, but it isn’t enough to shield her from harsh realities. Illustrations of birds interspersed throughout the story represent Olivia’s need to escape the familiar and seek what the rest of the world has to offer. Weyhe (Arbeit, 2018, etc.) infuses West African–style figures and art executed in simple lines with an orange, brown, and green color palette. Her expressive faces pair well with the honest, straightforward text, bringing to life the journey of a young woman seeking acceptance and belonging.

A worthy coming-of-age story about resilience. (Graphic fiction. 13-adult)

Pub Date: May 8, 2019

ISBN: 978-1-911115-61-8

Page Count: 192

Publisher: Cassava Republic Press

Review Posted Online: April 13, 2019

Kirkus Reviews Issue: May 1, 2019

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