With magic creeping in around the edges, this is a unique, well-developed, and haunting Gatsby retelling.
Jordan Baker recounts the story of Daisy Buchanan and her ill-fated relationship with Jay Gatsby.
Jordan, born in Vietnam, was adopted by the Bakers as a child, launching her into a world of old money and magic different from her own. Generally regarded as a curiosity, Jordan has made the best of her situation, kissing boys and girls and overindulging on imported bottles of demoniac, taking care not to dwell for too long on the things that make her different. After the deaths of her guardians, Jordan moves to New York City, where she reunites with her friend Daisy; meets Daisy’s cousin Nick Carraway, newly returned from the war; and learns that Jay Gatsby, whom she and Daisy knew in Louisville, is Nick’s neighbor. But Gatsby is different: lacking in something and single-mindedly focused on winning Daisy back. Between magic-filled parties at Gatsby’s house and whispers of dark bargains, Jordan watches the relationship between Daisy and Gatsby unravel over the course of the summer, at the same time struggling with her own relationship to Daisy and eventually coming to question her place in their society. Vo has crafted a retelling that, in many ways, surpasses the original, adding logic and depth to characters’ motivations while still—uncannily—unspooling the familiar story. Astonishingly crafted, with luscious prose and appeal for both fans of the original and those who always felt The Great Gatsby missed the mark.
With magic creeping in around the edges, this is a unique, well-developed, and haunting Gatsby retelling.Pub Date: June 1, 2021
ISBN: 978-1-250-78478-0
Page Count: 272
Publisher: Tor
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
PERSPECTIVES
Read this for the action-packed plot, not character development or worldbuilding.
On the orders of her mother, a woman goes to dragon-riding school.
Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.
Read this for the action-packed plot, not character development or worldbuilding.Pub Date: May 2, 2023
ISBN: 9781649374042
Page Count: 528
Publisher: Red Tower
Review Posted Online: Jan. 12, 2024
SEEN & HEARD
BOOK TO SCREEN
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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