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TICKET TO INDIA

Facts outshine the trappings of fiction here, leading to a book that is important and educational—but not very satisfying.

After her grandfather’s death, American Maya learns that her Pakistani grandmother was born in India and is determined to return before the funeral, in search of a ring left behind when the family fled during Partition.

Sixth-grader Maya and her sister naively blackmail their grandmother into letting them join her, and when forgotten medication lands Naniamma in the hospital, the sisters decide to continue the journey alone. Then Maya is pursued by a group that runs a crime syndicate of street orphans, leading to an epic chase, a night in the Taj Mahal gatehouse, and Maya’s kidnapping (they want to ransom her); she escapes thanks to the help of a (plucky) street orphan. While the intent is clearly to shed light on serious issues in overpopulated, often poverty-stricken India and Pakistan, the adventure sequence amid grief and discovery comes across as contrived, much like the many conversations in which characters clumsily relate things they already know in order to educate Maya and readers. Maya’s exposition-heavy journal provides a similarly didactic purpose, and Naniamma’s harrowing back story (she is one of a handful of survivors of a train massacre during Partition), stroke, and rediscovery of her childhood best friend are not enough to carry the novel emotionally.

Facts outshine the trappings of fiction here, leading to a book that is important and educational—but not very satisfying. (Fiction. 9-12)

Pub Date: Nov. 17, 2015

ISBN: 978-1-4814-2258-1

Page Count: 288

Publisher: Paula Wiseman/Simon & Schuster

Review Posted Online: Aug. 30, 2015

Kirkus Reviews Issue: Sept. 15, 2015

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BUILDING 903

A successful call for creating and imagining, even if the story itself falls short.

In the dystopian, totalitarian world of 2099, 14-year-old Tessa and her family are desperate to solve the mystery of her twin brother Theo’s disappearance.

Tessa is growing up in a time when playgrounds are historical relics, surveillance cameras are everywhere, music is outlawed, and owning books is illegal. Under the absolute rule of Zokiris, the decadeslong leader of her territory, people are heavily controlled. When Theo vanishes under mysterious circumstances and his name is erased from the Territory Statistics list, Tessa’s 135-year-old neighbor, Miriam, gives the family contraband books that become central to figuring out Theo’s whereabouts. Most books have long since been seized and stored away in Building 903; Tessa is intrigued by their presence in her home, while her mother is terrified. Lowry, the acclaimed, award-winning author of The Giver (1993), shines in her creation of uncomfortably believable dystopian societies. Tessa’s painfully limited world is fully imagined, with its own history, laws, and norms. Her relationship with her brother reads as realistic and tender and is crucial to the mystery. Miriam is the most strongly developed character: wise and independent, unafraid and hopeful. While the climb to the book’s climax is captivating, the hurried resolution is disappointing. The powerful messaging around the importance of literature and imagination certainly resonates, however. The main characters present white.

A successful call for creating and imagining, even if the story itself falls short. (Dystopian. 9-12)

Pub Date: Sept. 29, 2026

ISBN: 9780063515109

Page Count: 240

Publisher: Clarion/HarperCollins

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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CLUES TO THE UNIVERSE

Charming, poignant, and thoughtfully woven.

An aspiring scientist and a budding artist become friends and help each other with dream projects.

Unfolding in mid-1980s Sacramento, California, this story stars 12-year-olds Rosalind and Benjamin as first-person narrators in alternating chapters. Ro’s father, a fellow space buff, was killed by a drunk driver; the rocket they were working on together lies unfinished in her closet. As for Benji, not only has his best friend, Amir, moved away, but the comic book holding the clue for locating his dad is also missing. Along with their profound personal losses, the protagonists share a fixation with the universe’s intriguing potential: Ro decides to complete the rocket and hopes to launch mementos of her father into outer space while Benji’s conviction that aliens and UFOs are real compels his imagination and creativity as an artist. An accident in science class triggers a chain of events forcing Benji and Ro, who is new to the school, to interact and unintentionally learn each other’s secrets. They resolve to find Benji’s dad—a famous comic-book artist—and partner to finish Ro’s rocket for the science fair. Together, they overcome technical, scheduling, and geographical challenges. Readers will be drawn in by amusing and fantastical elements in the comic book theme, high emotional stakes that arouse sympathy, and well-drawn character development as the protagonists navigate life lessons around grief, patience, self-advocacy, and standing up for others. Ro is biracial (Chinese/White); Benji is White.

Charming, poignant, and thoughtfully woven. (Fiction. 9-12)

Pub Date: Jan. 12, 2021

ISBN: 978-0-06-300888-5

Page Count: 304

Publisher: Quill Tree Books/HarperCollins

Review Posted Online: Oct. 26, 2020

Kirkus Reviews Issue: Nov. 15, 2020

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